Monsieur Edouard Harmost inhabited the ground floor of a house in the Marylebone Road. He received his pupils in a large back room overlooking a little sooty garden. A Walloon by extraction, and of great vitality, he grew old with difficulty, having a soft corner in his heart for women, and a passion for novelty, even for new music, that was unappeasable. Any fresh discovery would bring a tear rolling down his mahogany cheeks into his clipped grey beard, the while he played, singing wheezily to elucidate the wondrous novelty; or moved his head up and down, as if pumping.
When Gyp was shown into this well-remembered room he was seated, his yellow fingers buried in his stiff grey hair, grieving over a pupil who had just gone out. He did not immediately rise, but stared hard at Gyp.
"Ah," he said, at last, "my little old friend! She has come back!
Now that is good!" And, patting her hand he looked into her face, which had a warmth and brilliance rare to her in these days. Then, ****** for the mantelpiece, he took therefrom a bunch of Parma violets, evidently brought by his last pupil, and thrust them under her nose. "Take them, take them--they were meant for me. Now--how much have you forgotten? Come!" And, seizing her by the elbow, he almost forced her to the piano. "Take off your furs. Sit down!"And while Gyp was taking off her coat, he fixed on her his prominent brown eyes that rolled easily in their slightly blood-shot whites, under squared eyelids and cliffs of brow. She had on what Fiorsen called her "humming-bird" blouse--dark blue, shot with peacock and old rose, and looked very warm and soft under her fur cap. Monsieur Harmost's stare seemed to drink her in; yet that stare was not unpleasant, having in it only the rather sad yearning of old men who love beauty and know that their time for seeing it is getting short.
"Play me the 'Carnival,'" he said. "We shall soon see!"Gyp played. Twice he nodded; once he tapped his fingers on his teeth, and showed her the whites of his eyes--which meant: "That will have to be very different!" And once he grunted. When she had finished, he sat down beside her, took her hand in his, and, examining the fingers, began:
"Yes, yes, soon again! Spoiling yourself, playing for that fiddler! Trop sympathique! The back-bone, the back-bone--we shall improve that. Now, four hours a day for six weeks--and we shall have something again."Gyp said softly:
"I have a baby, Monsieur Harmost."
Monsieur Harmost bounded.
"What! That is a tragedy!" Gyp shook her head. "You like it? Ababy! Does it not squall?"
"Very little."
"Mon Dieu! Well, well, you are still as beautiful as ever. That is something. Now, what can you do with this baby? Could you get rid of it a little? This is serious. This is a talent in danger.
A fiddler, and a baby! C'est beaucoup! C'est trop!"Gyp smiled. And Monsieur Harmost, whose exterior covered much sensibility, stroked her hand.
"You have grown up, my little friend," he said gravely. "Never mind; nothing is wasted. But a baby!" And he chirruped his lips.
"Well; courage! We shall do things yet!"
Gyp turned her head away to hide the quiver of her lips. The scent of latakia tobacco that had soaked into things, and of old books and music, a dark smell, like Monsieur Harmost's complexion; the old brown curtains, the sooty little back garden beyond, with its cat-runs, and its one stunted sumach tree; the dark-brown stare of Monsieur Harmost's rolling eyes brought back that time of happiness, when she used to come week after week, full of gaiety and importance, and chatter away, basking in his brusque admiration and in music, all with the glamourous feeling that she was ****** him happy, and herself happy, and going to play very finely some day.
The voice of Monsieur Harmost, softly gruff, as if he knew what she was feeling, increased her emotion; her breast heaved under the humming-bird blouse, water came into her eyes, and more than ever her lips quivered. He was saying:
"Come, come! The only thing we cannot cure is age. You were right to come, my child. Music is your proper air. If things are not all what they ought to be, you shall soon forget. In music--in music, we can get away. After all, my little friend, they cannot take our dreams from us--not even a wife, not even a husband can do that. Come, we shall have good times yet!"And Gyp, with a violent effort, threw off that sudden weakness.
From those who serve art devotedly there radiates a kind of glamour. She left Monsieur Harmost that afternoon, infected by his passion for music. Poetic justice--on which all homeopathy is founded--was at work to try and cure her life by a dose of what had spoiled it. To music, she now gave all the hours she could spare.
She went to him twice a week, determining to get on, but uneasy at the expense, for monetary conditions were ever more embarrassed.
At home, she practised steadily and worked hard at composition.
She finished several songs and studies during the spring and summer, and left still more unfinished. Monsieur Harmost was tolerant of these efforts, seeming to know that harsh criticism or disapproval would cut her impulse down, as frost cuts the life of flowers. Besides, there was always something fresh and individual in her things. He asked her one day:
"What does your husband think of these?"
Gyp was silent a moment.
"I don't show them to him."
