But then it was SUCH a knocker. A wild, extravagant, and utterly incomprehensible knocker. A knocker so mysterious and suspicious that Policeman X 37, first coming upon it, felt inclined to take it instantly in custody, but compromised with his professional instincts by sharply and sternly noting it with an eye that admitted of no nonsense, but confidently expected to detect its secret yet. An ugly knocker; a knocker with a hard, human face, that was a type of the harder human face within. A human face that held between its teeth a brazen rod. So hereafter, in the mysterious future should be held, etc., etc.
But if the knocker had a fierce human aspect in the glare of day, you should have seen it at night, when it peered out of the gathering shadows and suggested an ambushed figure; when the light of the street lamps fell upon it, and wrought a play of sinister expression in its hard outlines; when it seemed to wink meaningly at a shrouded figure who, as the night fell darkly, crept up the steps and passed into the mysterious house; when the swinging door disclosed a black passage into which the figure seemed to lose itself and become a part of the mysterious gloom; when the night grew boisterous and the fierce wind made furious charges at the knocker, as if to wrench it off and carry it away in triumph. Such a night as this.
It was a wild and pitiless wind. A wind that had commenced life as a gentle country zephyr, but wandering through manufacturing towns had become demoralized, and reaching the city had plunged into extravagant dissipation and wild excesses. A roistering wind that indulged in Bacchanalian shouts on the street corners, that knocked off the hats from the heads of helpless passengers, and then fulfilled its duties by speeding away, like all young prodigals,--to sea.
He sat alone in a gloomy library listening to the wind that roared in the chimney. Around him novels and story-books were strewn thickly; in his lap he held one with its pages freshly cut, and turned the leaves wearily until his eyes rested upon a portrait in its frontispiece. And as the wind howled the more fiercely, and the darkness without fell blacker, a strange and fateful likeness to that portrait appeared above his chair and leaned upon his shoulder. The Haunted Man gazed at the portrait and sighed. The figure gazed at the portrait and sighed too.
"Here again?" said the Haunted Man.
"Here again," it repeated in a low voice.
"Another novel?"
"Another novel."
"The old story?"
"The old story."
"I see a child," said the Haunted Man, gazing from the pages of the book into the fire,--"a most unnatural child, a model infant. It is prematurely old and philosophic. It dies in poverty to slow music. It dies surrounded by luxury to slow music. It dies with an accompaniment of golden water and rattling carts to slow music.
Previous to its decease it makes a will; it repeats the Lord's Prayer, it kisses the 'boofer lady.' That child--"
"Is mine," said the phantom.
"I see a good woman, undersized. I see several charming women, but they are all undersized. They are more or less imbecile and idiotic, but always fascinating and undersized. They wear coquettish caps and aprons. I observe that feminine virtue is invariably below the medium height, and that it is always ****** and infantine. These women--"
"Are mine."
"I see a haughty, proud, and wicked lady. She is tall and queenly.
I remark that all proud and wicked women are tall and queenly.
That woman--"
"Is mine," said the phantom, wringing his hands.
"I see several things continually impending. I observe that whenever an accident, a murder, or death is about to happen, there is something in the furniture, in the locality, in the atmosphere, that foreshadows and suggests it years in advance. I cannot say that in real life I have noticed it,--the perception of this surprising fact belongs--"
"To me!" said the phantom. The Haunted Man continued, in a despairing tone:--"I see the influence of this in the magazines and daily papers; I see weak imitators rise up and enfeeble the world with senseless formula. I am getting tired of it. It won't do, Charles! it won't do!" and the Haunted Man buried his head in his hands and groaned.
The figure looked down upon him sternly: the portrait in the frontispiece frowned as he gazed.
"Wretched man," said the phantom, "and how have these things affected you?"
"Once I laughed and cried, but then I was younger. Now, I would forget them if I could."
"Have then your wish. And take this with you, man whom I renounce.
From this day henceforth you shall live with those whom I displace.
Without forgetting me, 't will be your lot to walk through life as if we had not met. But first you shall survey these scenes that henceforth must be yours. At one to-night, prepare to meet the phantom I have raised. Farewell!"
The sound of its voice seemed to fade away with the dying wind, and the Haunted Man was alone. But the firelight flickered gayly, and the light danced on the walls, ****** grotesque figures of the furniture.
"Ha, ha!" said the Haunted Man, rubbing his hands gleefully; "now for a whiskey punch and a cigar."
BOOK II.
THE SECOND PHANTOM.
One! The stroke of the far-off bell had hardly died before the front door closed with a reverberating clang. Steps were heard along the passage; the library door swung open of itself, and the Knocker--yes, the Knocker--slowly strode into the room. The Haunted Man rubbed his eyes,--no! there could be no mistake about it,--it was the Knocker's face, mounted on a misty, almost imperceptible body. The brazen rod was transferred from its mouth to its right hand, where it was held like a ghostly truncheon.
"It's a cold evening," said the Haunted Man.
"It is," said the Goblin, in a hard, metallic voice.
"It must be pretty cold out there," said the Haunted Man, with vague politeness. "Do you ever--will you--take some hot water and brandy?"
"No," said the Goblin.
