In a line with the Winter Palace a number of stalls follow one another. All those things with which our tourists are wont to array themselves are on sale there: fans, fly flaps, helmets and blue spectacles. And, in thousands, photographs of the ruins. And there too are the toys, the souvenirs of the Soudan: old negro knives, panther-skins and gazelle horns. Numbers of Indians even are come to this improvised fair, bringing their stuffs from Rajputana and Cashmere.
And, above all, there are dealers in mummies, offering for sale mysteriously shaped coffins, mummy-cloths, dead hands, gods, scarabaei --and the thousand and one things that this old soil has yielded for centuries like an inexhaustible mine.
Along the stalls, keeping in the shade of the houses and the scattered palms, pass representatives of the plutocracy of the world. Dressed by the same costumiers, bedecked in the same plumes, and with faces reddened by the same sun, the millionaire daughters of Chicago merchants elbow their sisters of the old nobility. Pressing amongst them impudent young Bedouins pester the fair travellers to mount their saddled donkeys. And as if they were charged to add to this babel a note of beauty, the battalions of Mr. Cook, of both ***es, and always in a hurry, pass by with long strides.
Beyond the shops, following the line of the quay, there are other hotels. Less aggressive, all of them, than the Winter Palace, they have had the discretion not to raise themselves too high, and to cover their fronts with white chalk in the Arab fashion, even to conceal themselves in clusters of palm-trees.
And finally there is the colossal temple of Luxor, looking as out of place now as the poor obelisk which Egypt gave us as a present, and which stands to-day in the Place de la Concorde.
Bordering the Nile, it is a colossal grove of stone, about three hundred yards in length. In epochs of a magnificence that is now scarcely conceivable this forest of columns grew high and thick, rising impetuously at the bidding of Amenophis and the great Ramses.
And how beautiful it must have been even yesterday, dominating in its superb disarray this surrounding country, vowed for centuries to neglect and silence!
But to-day, with all these things that men have built around it, you might say that it no longer exists.
We reach an iron-barred gate and, to enter, have to show our permit to the guards. Once inside the immense sanctuary, perhaps we shall find solitude again. But, alas, under the profaned columns a crowd of people passes, with /Baedekers/ in their hands, the same people that one sees here everywhere, the same world as frequents Nice and the Riviera. And, to crown the mockery, the noise of the dynamos pursues us even here, for the boats of Messrs. Cook are moored to the bank close by.
Hundreds of columns, columns which are anterior by many centuries to those of Greece, and represent, in their na?ve enormity, the first conceptions of the human brain. Some are fluted and give the impression of sheaves of monstrous weeds; others, quite plain and ******, imitate the stem of the papyrus, and bear by way of capital its strange flower. The tourists, like the flies, enter at certain times of the day, which it suffices to know. Soon the little bells of the hotels will call them away and the hour of midday will find me here alone. But what in heaven's name will deliver me from the noise of the dynamos? But look! beyond there, at the bottom of the sanctuaries, in the part which should be the holy of holies, that great fresco, now half effaced, but still clearly visible on the wall --how unexpected and arresting it is! An image of Christ! Christ crowned with the Byzantine aureole. It has been painted on a coarse plaster, which seems to have been added by an unskilful hand, and is wearing off and exposing the hieroglyphs beneath. . . . This temple, in fact, almost indestructible by reason of its massiveness, has passed through the hands of diverse masters. Its antiquity was already legendary in the time of Alexander the Great, on whose behalf a chapel was added to it; and later on, in the first ages of Christianity, a corner of the ruins was turned into a cathedral. The tourists begin to depart, for the lunch bell calls them to the neighbouring /tables d'hote/; and while I wait till they shall be gone, I occupy myself in following the bas-reliefs which are displayed for a length of more than a hundred yards along the base of the walls. It is one long row of people moving in their thousands all in the same direction--the ritual procession of the God Amen. With the care which characterised the Egyptians to draw everything from life so as to render it eternal, there are represented here the smallest details of a day of festival three or four thousand years ago. And how like it is to a holiday of the people of to-day! Along the route of the procession are ranged jugglers and sellers of drinks and fruits, and negro acrobats who walk on their hands and twist themselves into all kinds of contortions. But the procession itself was evidently of a magnificence such as we no longer know. The number of musicians and priests, of corporations, of emblems and banners, is quite bewildering. The God Amen himself came by water, on the river, in his golden barge with its raised prow, followed by the barques of all the other gods and goddesses of his heaven. The reddish stone, carved with minute care, tells me all this, as it has already told it to so many dead generations, so that I seem almost to see it.
