The darkness is now extreme and we can see no longer. Let us go and shelter, no matter where, to await the moon. At the end of this uncovered hall there opens a door which gives on to deep night. It is the holy of holies, heavily roofed with granite, the highest part of the temple, the only part which the waters have not yet reached, and there we are able to put foot to earth. Our footsteps resound noisily on the large resonant flags, and the owls take to flight. Profound darkness; the wind and the dampness freeze us. Three hours to go before the rising of the moon; to wait in this place would be our death. Rather let us return to Chelal, and shelter ourselves in any lodging that offers, however wretched it may be.
*****
A tavern of the horrible village in the light of an electric lamp. It reeks of absinthe, this desert tavern, in which we warm ourselves at a little smoking fire. It has been hastily built of old tin boxes, of the debris of whisky cases, and by way of mural decoration the landlord, an ignorant Maltese, has pasted everywhere pictures cut from our European pornographic newspapers. During our hours of waiting, Nubians and Arabians follow one another hither, asking for drink, and are supplied with brimming glassfuls of our alcoholic beverages. They are the workers in the new factories who were formerly healthy beings, living in the open air. But now their faces are stained with coal dust, and their haggard eyes look unhappy and ill.
*****
The rising of the moon is fortunately at hand. Once more in our boat we make our way slowly towards the sad rock which to-day is Philae.
The wind has fallen with the night, as happens almost invariably in this country in winter, and the lake is calm. To the mournful yellow sky has succeeded one that is blue-black, infinitely distant, where the stars of Egypt scintillate in myriads.
A great glimmering light shows now in the east and at length the full moon rises, not blood-coloured as in our climates but straightway very luminous, and surrounded by an aureole of a kind of mist, caused by the eternal dust of the sands. And when we return to the baseless kiosk--lulled always by the Nubian song of the boatmen--a great disc is already illuminating everything with a gentle splendour. As our little boat winds in and out, we see the great ruddy disc passing and repassing between the high columns, so striking in their archai**, whose images are repeated in the water, that is now grown calm--more than ever a kiosk of dreamland, a kiosk of old-world magic.
In returning to the temple of the goddess, we follow for a second time the submerged road between the capitals and friezes of the colonnade which emerge like a row of little reefs.
In the uncovered hall which forms the entrance to the temple, it is still dark between the sovereign granites. Let us moor our boat against one of the walls and await the good pleasure of the moon. As soon as she shall have risen high enough to cast her light here, we shall see clearly.
It begins by a rosy glimmer on the summit of the pylons; and then takes the form of a luminous ********, very clearly defined, which grows gradually larger on the immense wall. Little by little it descends towards the base of the temple, revealing to us by degrees the intimidating presence of the bas-reliefs, the gods, goddesses and hieroglyphs, and the assemblies of people who make signs among themselves. We are no longer alone--a whole world of phantoms has been evoked around us by the moon, some little, some very large. They had been hiding there in the shadow and now suddenly they recommence their mute conversations, without breaking the profound silence, using only their expressive hands and raised fingers. And now also the colossal Isis begins to appear--the one carved on the left of the portico by which you enter; first, her refined head with its bird's helmet, surmounted by a solar disc; then, as the light continues to descend, her neck and shoulders, and her arm, raised to make who knows what mysterious, indicating sign; and finally the slim nudity of her torso, and her hips close bound in a sheath. Behold her now, the goddess, come completely out of the shadow. . . . But she seems surprised and disturbed at seeing at her feet, instead of the stones she had known for two thousand years, her own likeness, a reflection of herself, that stretches away, reversed in the mirror of the water. . . .
And suddenly, in the mist of the deep nocturnal calm of this temple, isolated here in the lake, comes again the sound of a kind of mournful booming, of things that topple, precious stones that become detached and fall--and then, on the surface of the lake, a thousand concentric circles form, close one another and disappear, ruffling indefinitely this mirror embanked between the terrible granites, in which Isis regards herself sorrowfully.
/Postscript./--The submerging of Philae, as we know, has increased by no less than seventy-five millions of pounds the annual yield of the surrounding land. Encouraged by this success, the English propose next year to raise the barrage of the Nile another twenty feet. As a consequence this sanctuary of Isis will be completely submerged, the greater part of the ancient temples of Nubia will be under water, and fever will infect the country. But, on the other hand, the cultivation of cotton will be enormously facilitated. . . .
