In fact, none of the idols in Benares are handsome or attractive. And what a swarm of them there is! The town is a vast museum of idols--and all of them crude, misshapen, and ugly. They flock through one's dreams at night, a wild mob of nightmares. When you get tired of them in the temples and take a trip on the river, you find idol giants, flashily painted, stretched out side by side on the shore. And apparently wherever there is room for one more lingam, a lingam is there. If Vishnu had foreseen what his town was going to be, he would have called it Idolville or Lingamburg.
The most conspicuous feature of Benares is the pair of slender white minarets which tower like masts from the great Mosque of Aurangzeb. They seem to be always in sight, from everywhere, those airy, graceful, inspiring things. But masts is not the right word, for masts have a perceptible taper, while these minarets have not. They are 142 feet high, and only 8 1/2 feet in diameter at the base, and 7 1/2 at the summit--scarcely any taper at all. These are the proportions of a candle; and fair and fairylike candles these are. Will be, anyway, some day, when the Christians inherit them and top them with the electric light. There is a great view from up there--a wonderful view. A large gray monkey was part of it, and damaged it. A monkey has no judgment.
This one was skipping about the upper great heights of the mosque--skipping across empty yawning intervals which were almost too wide for him, and which he only just barely cleared, each time, by the skin of his teeth. He got me so nervous that I couldn't look at the view. Icouldn't look at anything but him. Every time he went sailing over one of those abysses my breath stood still, and when he grabbed for the perch he was going for, I grabbed too, in sympathy. And he was perfectly indifferent, perfectly unconcerned, and I did all the panting myself.
He came within an ace of losing his life a dozen times, and I was so troubled about him that I would have shot him if I had had anything to do it with. But I strongly recommend the view. There is more monkey than view, and there is always going to be more monkey while that idiot survives, but what view you get is superb. All Benares, the river, and the region round about are spread before you. Take a gun, and look at the view.
The next thing I saw was more reposeful. It was a new kind of art. It was a picture painted on water. It was done by a native. He sprinkled fine dust of various colors on the still surface of a basin of water, and out of these sprinklings a dainty and pretty picture gradually grew, a picture which a breath could destroy. Somehow it was impressive, after so much browsing among massive and battered and decaying fanes that rest upon ruins, and those ruins upon still other ruins, and those upon still others again. It was a sermon, an allegory, a symbol of Instability.
Those creations in stone were only a kind of water pictures, after all.
A prominent episode in the Indian career of Warren Hastings had Benares for its theater. Wherever that extraordinary man set his foot, he left his mark. He came to Benares in 1781 to collect a fine of L500,000 which he had levied upon its Rajah, Cheit Singly on behalf of the East India Company. Hastings was a long way from home and help. There were, probably, not a dozen Englishmen within reach; the Rajah was in his fort with his myriads around him. But no matter. From his little camp in a neighboring garden, Hastings sent a party to arrest the sovereign. He sent on this daring mission a couple of hundred native soldiers sepoys--under command of three young English lieutenants. The Rajah submitted without a word. The incident lights up the Indian situation electrically, and gives one a vivid sense of the strides which the English had made and the mastership they had acquired in the land since the date of Clive's great victory. In a quarter of a century, from being nobodies, and feared by none, they were become confessed lords and masters, feared by all, sovereigns included, and served by all, sovereigns included. It makes the fairy tales sound true. The English had not been afraid to enlist native soldiers to fight against their own people and keep them obedient. And now Hastings was not afraid to come away out to this remote place with a handful of such soldiers and send them to arrest a native sovereign.
The lieutenants imprisoned the Rajah in his own fort. It was beautiful, the pluckiness of it, the impudence of it. The arrest enraged the Rajah's people, and all Benares came storming about the place and threatening vengeance. And yet, but for an accident, nothing important would have resulted, perhaps. The mob found out a most strange thing, an almost incredible thing--that this handful of soldiers had come on this hardy errand with empty guns and no ammunition. This has been attributed to thoughtlessness, but it could hardly have been that, for in such large emergencies as this, intelligent people do think. It must have been indifference, an over-confidence born of the proved submissiveness of the native character, when confronted by even one or two stern Britons in their war paint. But, however that may be, it was a fatal discovery that the mob had made. They were full of courage, now, and they broke into the fort and massacred the helpless soldiers and their officers.
Hastings escaped from Benares by night and got safely away, leaving the principality in a state of wild insurrection; but he was back again within the month, and quieted it down in his prompt and virile way, and took the Rajah's throne away from him and gave it to another man. He was a capable kind of person was Warren Hastings. This was the only time he was ever out of ammunition. Some of his acts have left stains upon his name which can never be washed away, but he saved to England the Indian Empire, and that was the best service that was ever done to the Indians themselves, those wretched heirs of a hundred centuries of pitiless oppression and abuse.
