I like to see people do with their might whatsoever their hands or their tongues or their feet find to do. A half-and-half performance of the right is just about as mischievous as the perpetration of the wrong. It is vacillation, hesitation, lack of will, feebleness of purpose, imperfect execution, that works ill in all life. Be monarch of all you survey. If a woman decides to do her own housework, let her go in royally among her pots and kettles, and set everything a-stewing and baking and broiling and boiling, as a queen might. If she decides not to do housework, but to superintend its doing, let her say to her servant, "Go," and he goeth, to another, "Come," and he cometh, to a third, "Do this," and he doeth it, and not potter about. So, when girls get themselves up and go to Saratoga for a regular campaign, let their bearing be soldierly. Let them be gay with abandonment. Let them take hold of it as if they liked it. I do not affect the word flirtation, but the thing itself is not half so criminal as one would think from the animadversions visited upon it. Of course, a deliberate setting yourself to work to make some one fall in love with you, for the mere purpose of showing your power, is abominable,--or would be, if anybody ever did it; but I do not suppose it ever was done, except in fifth-rate novels. What I mean is, that it is entertaining, harmless, and beneficial for young people to amuse themselves with each other to the top of their bent, if their bent is a natural and right one. A few hearts may suffer accidental, transient injury; but hearts are like limbs, all the stronger for being broken. Besides, where one man or woman is injured by loving too much, nine hundred and ninety-nine die the death from not loving enough. But these Saratoga girls did neither one thing nor another. They dressed themselves in their best, ****** a point of it, and failed. They assembled themselves together of set purpose to be lively, and they were infectiously dismal. They did not dress well: one looked rustic; another was dowdyish; a third was over-fine; a fourth was insignificant. Their bearing was not good, in the main. They danced, and whispered, and laughed, and looked like milkmaids. They had no style, no figure. Their shoulders were high, and their chests were flat, and they were one-sided, and they stooped,--all of which would have been no account, if they had only been unconsciously enjoying themselves: but they consciously were not. It is possible that they thought they were happy, but I knew better.
You are never happy, unless you are master of the situation;and they were not. They endeavored to appear at ease,--a thing which people who are at ease never do. They looked as if they had all their lives been meaning to go to Saratoga, and now they had got there and were determined not to betray any unwontedness.
It was not the timid, eager, delighted, fascinating, graceful awkwardness of a new young girl; it was not the careless, hearty, whole-souled enjoyment of an experienced girl; it was not the natural, indifferent, imperial queening it of an acknowledged monarch: but something that caught hold of the hem of the garment of them all. It was they with the sheen damped off.
So it was not imposing. I could pick you up a dozen girls straight along, right out of the pantries and the butteries, right up from the washing-tubs and the sewing-machines, who should be abundantly able to "hoe their row" with them anywhere.
In short, I was extremely disappointed. I expected to see the high fashion, the very birth and breeding, the cream cheese of the country, and it was skim-milk. If that is birth, one can do quite as well without being born at all. Occasionally you would see a girl with gentle blood in her veins, whether it were butcher-blood or banker-blood, but she only made the prevailing plebsiness more striking. Now I maintain that a woman ought to be very handsome or very clever, or else she ought to go to work and do something. Beauty is of itself a divine gift and adequate.
"Beauty is its own excuse for being" anywhere. It ought not to be fenced in or monopolized, any more than a statue or a mountain. It ought to be free and common, a benediction to all weary wayfarers. It can never be profaned; for it veils itself from the unappreciative eye, and shines only upon its worshippers.
So a clever woman, whether she be a painter or a teacher or a dress-maker,--if she really has an object in life, a career, she is safe. She is a power. She commands a realm. She owns a world. She is bringing things to bear. Let her alone. But it is a very dangerous and a very melancholy thing common women to be "lying on their oars" long at a time. Some of these were, Isuppose, what Winthrop calls "business-women, fighting their way out of vulgarity into style." The process is rather uninteresting, but the result may be glorious. Yet a good many of them were good honest, kind, common girls, only demoralized by long lying around in a waiting posture. It had taken the fire and sparkle out of them. They were not in a healthy state. They were degraded, contracted, flaccid. They did not hold themselves high. They knew that in a market-point of view there was a frightful glut of women. The usually small ratio of men was unusually diminished by the absence of those who gone to the war, and of those who, as was currently reported, were ashamed that they had not gone. A few available men had it all their own way;the women were on the lookout for them, instead of being themselves looked out for. They talked about "gentlemen," and being "companionable to GEN-tlemen," and who was "fascinating to GEN-tlemen," till the "grand old name became a nuisance.
