It was at eleven in the morning that the pale youth-god put collar and chain on Michael, led him out of the segregation ward, and turned him over to a dark youth-god who wasted no time of greeting on him and manifested no friendliness. A captive at the end of a chain, on the way Michael quickly encountered other captives going in his direction. There were three of them, and never had he seen the like. Three slouching, ambling monsters of bears they were, and at sight of them Michael bristled and uttered the lowest of growls; for he knew them, out of his heredity (as a domestic cow knows her first wolf), as immemorial enemies from the wild. But he had travelled too far, seen too much, and was altogether too sensible, to attack them. Instead, walking stiff-legged and circumspectly, but smelling with all his nose the strange scent of the creatures, he followed at the end of his chain his own captor god.
Continually a multitude of strange scents invaded his nostrils.
Although he could not see through walls, he got the smells he was later to identify of lions, leopards, monkeys, baboons, and seals and sea-lions. All of which might have stunned an ordinary dog;but the effect on him was to make him very alert and at the same time very subdued. It was as if he walked in a new and monstrously populous jungle and was unacquainted with its ways and denizens.
As he was entering the arena, he shied off to the side more stiff-leggedly than ever, bristled all along his neck and back, and growled deep and low in his throat. For, emerging from the arena, came five elephants. Small elephants they were, but to him they were the hugest of monsters, in his mind comparable only with the cow-whale of which he had caught fleeting glimpses when she destroyed the schooner Mary Turner. But the elephants took no notice of him, each with its trunk clutching the tail of the one in front of it as it had been taught to do in ****** an exit.
Into the arena, he came, the bears following on his heels. It was a sawdust circle the size of a circus ring, contained inside a square building that was roofed over with glass. But there were no seats about the ring, since spectators were not tolerated.
Only Harris Collins and his assistants, and buyers and sellers of animals and men in the profession, were ever permitted to behold how animals were tormented into the performance of tricks to make the public open its mouth in astonishment or laughter.
Michael forgot about the bears, who were quickly at work on the other side of the circle from that to which he was taken. Some men, rolling out stout bright-painted barrels which elephants could not crush by sitting on, attracted his attention for a moment. Next, in a pause on the part of the man who led him, he regarded with huge interest a piebald Shetland pony. It lay on the ground. A man sat on it. And ever and anon it lifted its head from the sawdust and kissed the man. This was all Michael saw, yet he sensed something wrong about it. He knew not why, had no evidence why, but he felt cruelty and power and unfairness.
What he did not see was the long pin in the man's hand. Each time he thrust this in the pony's shoulder, the pony, stung by the pain and reflex action, lifted its head, and the man was deftly ready to meet the pony's mouth with his own mouth. To an audience the impression would be that in such fashion the pony was expressing its affection for the master.
Not a dozen feet away another Shetland, a coal-black one, was behaving as peculiarly as it was being treated. Ropes were attached to its forelegs, each rope held by an assistant, who jerked on the same stoutly when a third man, standing in front of the pony, tapped it on the knees with a short, stiff whip of rattan. Whereupon the pony went down on its knees in the sawdust in a genuflection to the man with the whip. The pony did not like it, sometimes so successfully resisting with spread, taut legs and mutinous head-tossings, as to overcome the jerk of the ropes, and, at the same time wheeling, to fall heavily on its side or to uprear as the pull on the ropes was relaxed. But always it was lined up again to face the man who rapped its knees with the rattan. It was being taught merely how to kneel in the way that is ever a delight to the audiences who see only the results of the schooling and never dream of the manner of the schooling. For, as Michael was quickly sensing, knowledge was here learned by pain.
In short, this was the college of pain, this Cedarwild Animal School.
Harris Collins himself nodded the dark youth-god up to him, and turned an inquiring and estimating gaze on Michael.
"The Del Mar dog, sir," said the youth-god.
Collins's eyes brightened, and he looked Michael over more carefully.
"Do you know what he can do?" he queried.
The youth shook his head.
"Harry was a keen one," Collins went on, apparently to the youth-god but mostly for his own benefit, being given to thinking aloud.
"He picked this dog as a winner. And now what can he do? That's the question. Poor Harry's gone, and we don't know what he can do.--Take off the chain."Released Michael regarded the master-god and waited for what might happen. A squall of pain from one of the bears across the ring hinted to him what he might expect.
"Come here," Collins commanded in his cold, hard tones.
Michael came and stood before him.
"Lie down!"
Michael lay down, although he did it slowly, with advertised reluctance.
"Damned thoroughbred!" Collins sneered at him. "Won't put any pep into your motions, eh? Well, we'll take care of that.--Get up!--Lie down!--Get up!--Lie down!--Get up!"
His commands were staccato, like revolver shots or the cracks of whips, and Michael obeyed them in his same slow, reluctant way.
"Understands English, at any rate," said Collins.
