"Well, you see, you must take one side or the other.Same as with Liberals and Conservatives.The great thing is to take your side and then stick to it, whatever happens."A signal sounded.
"There's the 3.14 up," said Perks."You lie low till she's through, and then we'll go up along to my place, and see if there's any of them strawberries ripe what I told you about.""If there are any ripe, and you DO give them to me," said Phyllis, "you won't mind if I give them to the poor Russian, will you?"Perks narrowed his eyes and then raised his eyebrows.
"So it was them strawberries you come down for this afternoon, eh?"said he.
This was an awkward moment for Phyllis.To say "yes" would seem rude and greedy, and unkind to Perks.But she knew if she said "no," she would not be pleased with herself afterwards.So--"Yes," she said, "it was."
"Well done!" said the Porter; "speak the truth and shame the--""But we'd have come down the very next day if we'd known you hadn't heard the story," Phyllis added hastily.
"I believe you, Missie," said Perks, and sprang across the line six feet in front of the advancing train.
The girls hated to see him do this, but Peter liked it.It was so exciting.
The Russian gentleman was so delighted with the strawberries that the three racked their brains to find some other surprise for him.
But all the racking did not bring out any idea more novel than wild cherries.And this idea occurred to them next morning.They had seen the blossom on the trees in the spring, and they knew where to look for wild cherries now that cherry time was here.The trees grew all up and along the rocky face of the cliff out of which the mouth of the tunnel opened.There were all sorts of trees there, birches and beeches and baby oaks and hazels, and among them the cherry blossom had shone like snow and silver.
The mouth of the tunnel was some way from Three Chimneys, so Mother let them take their lunch with them in a basket.And the basket would do to bring the cherries back in if they found any.She also lent them her silver watch so that they should not be late for tea.
Peter's Waterbury had taken it into its head not to go since the day when Peter dropped it into the water-butt.And they started.When they got to the top of the cutting, they leaned over the fence and looked down to where the railway lines lay at the bottom of what, as Phyllis said, was exactly like a mountain gorge.
"If it wasn't for the railway at the bottom, it would be as though the foot of man had never been there, wouldn't it?"The sides of the cutting were of grey stone, very roughly hewn.
Indeed, the top part of the cutting had been a little natural glen that had been cut deeper to bring it down to the level of the tunnel's mouth.Among the rocks, grass and flowers grew, and seeds dropped by birds in the crannies of the stone had taken root and grown into bushes and trees that overhung the cutting.Near the tunnel was a flight of steps leading down to the line--just wooden bars roughly fixed into the earth--a very steep and narrow way, more like a ladder than a stair.
"We'd better get down," said Peter; "I'm sure the cherries would be quite easy to get at from the side of the steps.You remember it was there we picked the cherry blossoms that we put on the rabbit's grave."So they went along the fence towards the little swing gate that is at the top of these steps.And they were almost at the gate when Bobbie said:--"Hush.Stop! What's that?"
"That" was a very odd noise indeed--a soft noise, but quite plainly to be heard through the sound of the wind in tree branches, and the hum and whir of the telegraph wires.It was a sort of rustling, whispering sound.As they listened it stopped, and then it began again.
And this time it did not stop, but it grew louder and more rustling and rumbling.
"Look"--cried Peter, suddenly--"the tree over there!"The tree he pointed at was one of those that have rough grey leaves and white flowers.The berries, when they come, are bright scarlet, but if you pick them, they disappoint you by turning black before you get them home.And, as Peter pointed, the tree was moving--not just the way trees ought to move when the wind blows through them, but all in one piece, as though it were a live creature and were walking down the side of the cutting.
"It's moving!" cried Bobbie."Oh, look! and so are the others.
It's like the woods in Macbeth."
"It's magic," said Phyllis, breathlessly."I always knew this railway was enchanted."It really did seem a little like magic.For all the trees for about twenty yards of the opposite bank seemed to be slowly walking down towards the railway line, the tree with the grey leaves bringing up the rear like some old shepherd driving a flock of green sheep.
"What is it? Oh, what is it?" said Phyllis; "it's much too magic for me.I don't like it.Let's go home."But Bobbie and Peter clung fast to the rail and watched breathlessly.And Phyllis made no movement towards going home by herself.
The trees moved on and on.Some stones and loose earth fell down and rattled on the railway metals far below.
"It's ALL coming down," Peter tried to say, but he found there was hardly any voice to say it with.And, indeed, just as he spoke, the great rock, on the top of which the walking trees were, leaned slowly forward.The trees, ceasing to walk, stood still and shivered.Leaning with the rock, they seemed to hesitate a moment, and then rock and trees and grass and bushes, with a rushing sound, slipped right away from the face of the cutting and fell on the line with a blundering crash that could have been heard half a mile off.
A cloud of dust rose up.
"Oh," said Peter, in awestruck tones, "isn't it exactly like when coals come in?--if there wasn't any roof to the cellar and you could see down.""Look what a great mound it's made!" said Bobbie.
"Yes," said Peter, slowly.He was still leaning on the fence.
"Yes," he said again, still more slowly.
Then he stood upright.
