登陆注册
26126900000017

第17章

In 1970 Costas Tzezairlidis SV4CG built a unique electro mechanical machine using two motors to achieve horizontal and vertical scanning.He had found a motor which rotated at 960 R.P.M.which corresponds to 16 revolutions per second, the exact speed required for the horizontal scanning.The speed of the second motor was 1 revolution per second.The reciprocal motion was produced by a cam through an 8:1 reduction gear.A weight attached to the microscope pulled it back to start the next line.The microscope was focussed sharply on the drum carrying the picture to be transmitted.Resolution was excellent.

The `microscope' consisted of a cardboard tube with a 13 cm focal length lens at one end and a Philips OAP12 photo-diode at the other with another lens in front of it.This primitive microscope produced a picture of reasonable quality.

For reception SV4CG made a converter using the long persistence P7c.r.t.With this set-up Costas had his first SSTV contact on 40 metres with SV1AB on February 28th 1971.After that he had many contacts on 7 and14 MHz as can be seen from the extract from his log.(The special commemorative prefix of SZ0 was used by all SV stations during 1971).

6.Costas Georgiou SV1OE.(E.M.E.)

Up to the end of 1988 the only Greek ******* who had positively authenticated Moonbounce contacts was Costas Georgiou SV1OE.His very first contact was made in 1982 when he contacted VE7BQH in Canada on 2 metres.In the ensuing four years Costas managed to work four more stations: K1WHS, SM4GVF, W5UN and KB8RQ.

In 1982 Costas had been trying for three years, without success, to hear his own signal via Moonbounce.The reason for his failure was that he was unaware of a very basic fact.

"I was completely ignorant of the Doppler shift effect", Costas told me."The frequency of received signals varies according to the position of the moon.If it is to the East of your own location the signals return 500 to 1,000 Hz below the original transmitted frequency.For years I had been sending long dashes slowly and waiting to hear my signals return on the same spot, which they never did.This happens for one instant only, when the Moon is at 180 degrees azimuth, exactly due south.When it moves to the west of south the returning frequency is correspondingly higher.Using a 50Hz audio filter (which is essential for Moonbounce) it is very easy to miss the weak signals.Soon after I found out my ridiculous mistake I began to hear my signals, naturally with a delay of one or two seconds because of the enormous distance involved -- 770,000 kilometres, 385,000 there and 385,000 back.

Costas continued: "My next problem was finding the moon.I had no computer at the time and no Keplerian elements.I mounted a small video camera in the centre of four 16-element Yagi antennas and rotated the elevation and azimuth motors until I could see the moon in the centre of the monitor in the shack.Of course when the sky was overcast I was out of business.Much later when I obtained a little Sinclair ZX80 computer life became easier.

"When I made my first contact I was simultaneously in QSO with SV1AB and SV1IO on 1,296 MHz who could hear what was going on.I remember SV1AB got very excited and began shouting `I can hear him, I can hear him!' The QSO was with VE7BQH.Later Lionel sent me a very valuable present, valuable not for its cost but for the fact that it was something quite unobtainable in Greece at that time -- a very low-noisepreamplifier for 2 metres.

"After the successful launch of Oscar 10 those amateurs who had complex antenna systems and low-noise receivers they had used for Moonbounce congregated on 145.950 and spoke to each other on QRP which prevented ordinary mortals from hearing them.By QRP I mean outputs of half a watt or less.But when finally one day I broke into a net QSO I arranged schedules for Moonbounce with two stations in Sweden.I had a successful contact with one of them but never heard the other.The reason may have been a very ****** one: the polarisation of signals returning from the Moon varies from one moment to the other, so if you have been transmitting with horizontal polarisation and go over to reception it is very easy to miss the answer of the other station if the polarisation has changed."SV1OE then explained the very strict procedure which must be adhered to for Moonbounce schedules.

"Schedules are arranged to last one hour.The first station to start transmitting on the hour must be the one whose QTH lies to the east of the other.The calling frequency for Moonbounce is 144.011 MHz., and the duration of the call is 2 minutes, but for the first minute and a half you call CQ DE SV1OE and during the last half minute you also give the call of the station you are trying to contact, for instance G3FNJ DE SV1OE.You must on no account transmit for more than two minutes because at the beginning of the third minute the other station will begin transmitting the same pattern of signals.But if he has heard you he will alter the pattern.For the first half minute he will send SV1OE DE G3FNJ and for the ensuing minute and a half he will transmit the letter O which signifies that he has heard your callsign completely and without difficulty i.e.Q5 in the Q Code.If I have also heard your callsign completely I will send G3FNJ for half a minute followed by RO for a minute and a half, which means that I have also received your callsign and your O.And you will reply RO 73 which concludes the successful contact.

"There are one or two other letters that can be used.Sending M signifies that I hear you well but can only copy 50% of your transmission, equivalent to Q3.And the letter T signifies I hear you but cannot read youat all - Q1.

"It has been found by experience that the best sending speed is 8w.p.m.Sending slowly or very fast presents problems at the other end."

同类推荐
  • 女科撮要

    女科撮要

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 痫门

    痫门

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 太上洞玄灵宝天尊说大通经

    太上洞玄灵宝天尊说大通经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • BILLY BUDD

    BILLY BUDD

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 兰盆献供仪

    兰盆献供仪

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 宗元国

    宗元国

    宗元国是个国家。国家里面发生的事情。五大国家有百年一度的会盟。这是里面的大事情了。其他时候都是小事情,很小的事情。国家里面有西方教的各大教派的渗透,这是为了什么呢?为了让这个国家的人学习法术。这些法术也不是非常高明的法术。戴玉不学习法术,他是一个剑客,准确地说,是一个没落剑客的儿子。他处在一个盛行法术的年代里面。安珠是他的朋友,女性的朋友,好朋友,她会法术,但是是一点点的法术。他们两个人一起去旅行。去见识这个国家的山川河流,也见识了这个国家的各种法术。见识了这个国家里面的阴谋,也见识了其他国家的野心,见识了王公贵族,也见识了平民百姓。就是这样的故事,不值一提的故事,拖拖拉拉的故事。
  • 大毗卢遮那成佛神变加持经莲华胎藏菩提幢标帜普通真言藏广大成就

    大毗卢遮那成佛神变加持经莲华胎藏菩提幢标帜普通真言藏广大成就

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 人生的足迹

    人生的足迹

    生活的稳定他很知足,他用尽所有的精力去维护,但是妻子的出轨,朋友的出卖,工作的失意,情感的纠缠,打乱了一切。生活又当怎样继续。。。。
  • 小妞野蛮:校草大人请自重

    小妞野蛮:校草大人请自重

    问题少女VS傲娇校草刚转学就得罪了校草,陈桃花就注定了以后的悲惨生活。在学校闹得水火不容,没想到还要和这恶魔同住一个屋檐下。酒醉强吻,第二天就莫名其妙的成了他的女朋友。小妞害羞扭脸,“哎……校草大人,你自重!”某小妞泪奔,真不该误惹这恶魔,一失足成千古恨啊!
  • 姝语嫣然

    姝语嫣然

    古语云:女为悦己者容,固,姝语嫣然,只为君……
  • 再续半生缘

    再续半生缘

    四年有名无实的婚姻,一张离婚书就能让人曲终人散。当我再到你时候依旧是个冷漠的人,没有感情动物的人,不!应当说是不会亲口轻易的说出自己的感情。我害怕离婚后再面对你,便空手独自一人出国,离开这个地方,可是当离婚的那一刻,我真的什么都没有了。远方的风景一个人看,远方的人儿一个人想。当有了勇气回到那个有你的地方时。我该怎么面对,该不该在放走这一次的爱。2016为爱改变本性,为爱痴狂…
  • 混沌修罗猛士录

    混沌修罗猛士录

    一个混乱的时代,一群野性未褪的少年,一场有关修罗场荣耀的残酷角逐,一部异能暴走的演绎,肆意挥洒下的热血篇章,曾拥有过短暂的年少轻狂,你我是否登顶最强?
  • 目落黄昏

    目落黄昏

    伊沐雪,女主角将带给你全新的画面感,青春校园,校花校草的爱情故事,高贵的王子,和灰姑娘的爱情分分合合。。。
  • 少爷赖上最美千金

    少爷赖上最美千金

    一场政治联姻,让两对冤家喜结连理。场景一:‘雨儿,我会永远保护你’.某男十分霸道地说。谁知某女不识趣的说:‘谁要你保护,那我学柔道有啥用’!场景二:“夜轩,你有喜欢的人吗”?雨溪低下头轻声问道。“何止是喜欢啊,简直就是深爱呐”!某男毫不夸张地说,可惜他忽略了雨溪逐渐变黑的脸。“呵呵,谁呀”?好你个安夜轩,竟然背着本宫找小三,呜呜~~~本宫要杀了你。“你啊”!“(⊙o⊙)啊!。。。”
  • 杀手佛心

    杀手佛心

    神秘组织中,一个名叫“杨火”的青年,他的传奇经历正在上演……