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第21章 THE EPISODE OF THE INDIAN'S AUNT(2)

kittens 'are such a constant source of worry and anxiety!' Auntie Lisbeth sometimes says that about Reginald and me. I wonder what she would say if we were kittens!""Bye the bye, where is your Auntie Lisbeth?" I asked in a strictly conversational tone.

"Well, she's lying in the old boat." "In the old boat!" I repeated.

"Yes," nodded Dorothy; "when it's nice and warm and sleepy, like to- day, she takes a book, and a pillow, and a sunshade, and she goes and lies in the old boat under the Water-stairs. There, just look at this naughty Louise!" she broke off, as the kitten scrambled up to her shoulder and stood there, balancing itself very dextrously with curious angular movements of its tail; "that's because she thinks I've forgotten her milk, you know; she's dreadfully impatient, but I suppose I must humour her this once. Good-afternoon!" And, having given me her hand in her demure, old-fashioned way, Dorothy hurried off, the kitten still perched upon her shoulder, its tail jerking spasmodically with her every step.

In a little while I came in view of the Water~stairs, yet although I paused more than once to look about me, I saw no sign of the Imp. Thinking he was most probably 'in ambush' somewhere, I continued my way, whistling an air out of "The Geisha" to attract his notice. Ten minutes or more elapsed, however, without any sign of him, and I was already close to the stairs, when I stopped whistling all at once, and holding my breath, crept forward on tiptoe.

There before me was the old boat, and in it - her cheek upon a crimsoncushion and the sun ****** a glory of her tumbled hair - was Lisbeth - asleep.

Being come as near as I dared for fear of waking her, I sat down, and lighting my pipe, fell to watching her - the up-curving shadow of her lashes, the gleam of teeth between the scarlet of her parted lips, and the soft undulation of her bosom. And from the heavy braids of her hair my glance wandered down to the little tan shoe peeping at me beneath her skirt, and I called to mind how Goethe has said:

'A pretty foot is not only a continual joy, but it is the one element of beauty that defies the assaults of Time,'

Sometimes a butterfly hovered past, a bee filled the air with his drone, or a bird settled for a moment upon the stairs near-by to preen a ruffled feather, while soft and drowsy with distance came the ceaseless roar of the weir.

I do not know how long I had sat thus, supremely content, when I was suddenly aroused by a rustling close at hand.

"Hist!"

I looked up sharply, and beheld a head, a head adorned with sundry feathers, and a face hideously streaked with red and green paint; but there was no mistaking those golden curls - it was the Imp!

"Hist!" he repeated, bringing out the word with a prolonged hiss, and then - before I could even guess at his intention - there was the swift gleam of a knife, a splash of the severed painter, and caught by the tide the old boat swung out, and was adrift.

The Imp stood gazing on his handiwork with wide eyes, and then as I leaped to my feet something in my look seemed to frighten him, for without a word he turned and fled. But all my attention was centred in the boat, which was drifting slowly into mid-stream with Lisbeth still fast asleep. And as I watched its sluggish progress, with a sudden chill I remembered the weir, which foamed and roared only a short half-mile away. If the boat once got drawn into that - !

Now, I am quite aware that under these circumstances the right and proper thing for me to have done, would have been to throw aside my coat,tear off my boots, etc., and "boldly breast the foamy flood." But I did neither, for the ****** reason that once within the 'foamy flood' aforesaid, there would have been very little chance of my ever getting out again, for - let me confess the fact with the blush of shame - I am no swimmer.

Yet I was not idle, far otherwise. Having judged the distance between the drifting boat and the bank, I began running along, seeking the thing I wanted. And presently, sure enough, I found it - a great pollard oak, growing upon the edge of the water, that identical tree with the 'stickie-out' branches which has already figured in these narratives as the hiding-place of a certain pair of silk stockings.

Hastily swinging myself up, I got astride the lowest branch, which projected out over the water. I had distanced the boat by some hundred yards, and as I sat there I watched its drift, one minute full of hope, and the next as miserably uncertain. My obvious intention was to crawl out upon the branch until it bent with my weight, and so let myself into, or as near the boat as possible. It was close now, so close that I could see the gleam of Lisbeth's hair and the point of the little tan shoe. With my eyes on this, I writhed my way along the bough, which bent more and more as I neared the end. Here I hung, swaying up and down and to and fro in a highly unpleasant manner, while I waited the crucial moment.

Never upon this whole round earth did anything creep as that boat did. There was a majestic deliberation in its progress that positively maddened me. I remember to have once read an articlesomewhere upon the "Sensibility of Material Things," or something of the sort, which I had forgotten long since, but as I hung there suspended between heaven and earth, it came back to me with a rush, and I was perfectly certain that, recognising my precarious position, that time-worn, ancient boat checked its speed out of "pure cussedness."But all things have an end, and so, little by little the blunt bow crept nearer until it was in the very shade of my tree. Grasping the branch, I let myself swing at arm's length; and then I found that I was at least a foot too near the bank. Edging my way, therefore, still further along the branch, I kicked out in a desperate endeavour to reach the boat, and, thebough swaying with me, caught my toe inside the gunwale, drew it under me, and loosing my grasp, was sprawling upon my hands and knees, but safe aboard.

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