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第2章 THE WAYSIDE.INTRODUCTORY(2)

It will be remembered that Mr.Bright condescended to avail himself of my literary experience by constituting me editor of the "Wonder-Book." As he had no reason to complain of the reception of that erudite work by the public, he was now disposed to retain me in a similar position with respect to the present volume, which he entitled TANGLEWOOD TALES.Not, as Eustace hinted, that there was any real necessity for my services as introducer, inasmuch as his own name had become established in some good degree of favor with the literary world.But the connection with myself, he was kind enough to say, had been highly agreeable; nor was he by any means desirous, as most people are, of kicking away the ladder that had perhaps helped him to reach his present elevation.My young friend was willing, in short, that the fresh verdure of his growing reputation should spread over my straggling and half-naked boughs; even as I have sometimes thought of training a vine, with its broad leafiness, and purple fruitage, over the worm-eaten posts and rafters of the rustic summer house.I was not insensible to the advantages of his proposal, and gladly assured him of my acceptance.

Merely from the title of the stories I saw at once that the subjects were not less rich than those of the former volume;nor did I at all doubt that Mr.Bright's audacity (so far as that endowment might avail) had enabled him to take full advantage of whatever capabilities they offered.Yet, in spite of my experience of his free way of handling them, I did not quite see, I confess, how he could have obviated all the difficulties in the way of rendering them presentable to children.These old legends, so brimming over with everything that is most abhorrent to our Christianized moral sense some of them so hideous, others so melancholy and miserable, amid which the Greek tragedians sought their themes, and moulded them into the sternest forms of grief that ever the world saw; was such material the stuff that children's playthings should be made of! How were they to be purified? How was the blessed sunshine to be thrown into them?

But Eustace told me that these myths were the most singular things in the world, and that he was invariably astonished, whenever he began to relate one, by the readiness with which it adapted itself to the childish purity of his auditors.The objectionable characteristics seem to be a parasitical growth, having no essential connection with the original fable.They fall away, and are thought of no more, the instant he puts his imagination in sympathy with the innocent little circle, whose wide-open eyes are fixed so eagerly upon him.Thus the stories (not by any strained effort of the narrator's, but in harmony with their inherent germ) transform themselves, and re-assume the shapes which they might be supposed to possess in the pure childhood of the world.When the first poet or romancer told these marvellous legends (such is Eustace Bright's opinion), it was still the Golden Age.Evil had never yet existed; and sorrow, misfortune, crime, were mere shadows which the mind fancifully created for itself, as a shelter against too sunny realities; or, at most, but prophetic dreams to which the dreamer himself did not yield a waking credence.Children are now the only representatives of the men and women of that happy era; and therefore it is that we must raise the intellect and fancy to the level of childhood, in order to re-create the original myths.

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