"Strange, neighbour? Well, I don't know. I have often heard my old kinsman say the one aim of all people before our time was to avoid work, or at least they thought it was; so of course the work which their daily life _forced_ them to do, seemed more like work than that which they _seemed_ to choose for themselves.""True enough," said Morsom. "Anyhow, they soon began to find out their mistake, and that only slaves and slave-holders could live solely by setting machines going."Clara broke in here, flushing a little as she spoke: "Was not their mistake once more bred of the life of slavery that they had been living?--a life which was always looking upon everything, except mankind, animate and inanimate--'nature,' as people used to call it--as one thing, and mankind as another. It was natural to people thinking in this way, that they should try to make 'nature' their slave, since they thought 'nature' was something outside them.""Surely," said Morsom; "and they were puzzled as to what to do, till they found the feeling against a mechanical life, which had begun before the Great Change amongst people who had leisure to think of such things, was spreading insensibly; till at last under the guise of pleasure that was not supposed to be work, work that was pleasure began to push out the mechanical toil, which they had once hoped at the best to reduce to narrow limits indeed, but never to get rid of;and which, moreover, they found they could not limit as they had hoped to do.""When did this new revolution gather head?" said I.
"In the half-century that followed the Great Change," said Morsom, "it began to be noteworthy; machine after machine was quietly dropped under the excuse that machines could not produce works of art, and that works of art were more and more called for. Look here," he said, "here are some of the works of that time--rough and unskilful in handiwork, but solid and showing some sense of pleasure in the ******.""They are very curious," said I, taking up a piece of pottery from amongst the specimens which the antiquary was showing us; "not a bit like the work of either savages or barbarians, and yet with what would once have been called a hatred of civilisation impressed upon them.""Yes," said Morsom, "You must not look for delicacy there: in that period you could only have got that from a man who was practically a slave. But now, you see," said he, leading me on a little, "we have learned the trick of handicraft, and have added the utmost refinement of workmanship to the ******* of fancy and imagination."I looked, and wondered indeed at the deftness and abundance of beauty of the work of men who had at last learned to accept life itself as a pleasure, and the satisfaction of the common needs of mankind and the preparation for them, as work fit for the best of the race. I mused silently; but at last I said:
"What is to come after this?"
The old man laughed. "I don't know," said he; "we will meet it when it comes.""Meanwhile," quoth ****, "we have got to meet the rest of our day's journey; so out into the street and down to the strand! Will you come a turn with us, neighbour? Our friend is greedy of your stories.""I will go as far as Oxford with you," said he; "I want a book or two out of the Bodleian Library. I suppose you will sleep in the old city?""No," said ****, "we are going higher up; the hay is waiting us there, you know."Morsom nodded, and we all went into the street together, and got into the boat a little above the town bridge. But just as **** was getting the sculls into the rowlocks, the bows of another boat came thrusting through the low arch. Even at first sight it was a gay little craft indeed--bright green, and painted over with elegantly drawn flowers.
As it cleared the arch, a figure as bright and gay-clad as the boat rose up in it; a slim girl dressed in light blue silk that fluttered in the draughty wind of the bridge. I thought I knew the figure, and sure enough, as she turned her head to us, and showed her beautiful face, I saw with joy that it was none other than the fairy godmother from the abundant garden on Runnymede--Ellen, to wit.
We all stopped to receive her. **** rose in the boat and cried out a genial good morrow; I tried to be as genial as ****, but failed; Clara waved a delicate hand to her; and Morsom nodded and looked on with interest. As to Ellen, the beautiful brown of her face was deepened by a flush, as she brought the gunwale of her boat alongside ours, and said:
"You see, neighbours, I had some doubt if you would all three come back past Runnymede, or if you did, whether you would stop there; and besides, I am not sure whether we--my father and I--shall not be away in a week or two, for he wants to see a brother of his in the north country, and I should not like him to go without me. So I thought Imight never see you again, and that seemed uncomfortable to me, and--and so I came after you.""Well," said ****, "I am sure we are all very glad of that; although you may be sure that as for Clara and me, we should have made a point of coming to see you, and of coming the second time, if we had found you away at first. But, dear neighbour, there you are alone in the boat, and you have been sculling pretty hard, I should think, and might find a little quiet sitting pleasant; so we had better part our company into two.""Yes," said Ellen, "I thought you would do that, so I have brought a rudder for my boat: will you help me to ship it, please?"And she went aft in her boat and pushed along our side till she had brought the stern close to ****'s hand. He knelt down in our boat and she in hers, and the usual fumbling took place over hanging the rudder on its hooks; for, as you may imagine, no change had taken place in the arrangement of such an unimportant matter as the rudder of a pleasure boat. As the two beautiful young faces bent over the rudder, they seemed to me to be very close together, and though it lasted only a moment, a sort of pang shot through me as I looked on. Clara sat in her place and did not look round, but presently she said, with just the least stiffness in her tone:
