"People are saying that William goes everywhere with you and Cassandra, and that he is always paying her attentions. At the Markhams' dance he sat out five dances with her. At the Zoo they were seen alone together. They left together. They never came back here till seven in the evening. But that is not all. They say his manner is very marked--he is quite different when she is there."Mrs. Milvain, whose words had run themselves together, and whose voice had raised its tone almost to one of protest, here ceased, and looked intently at Katharine, as if to judge the effect of her communication.
A slight rigidity had passed over Katharine's face. Her lips were pressed together; her eyes were contracted, and they were still fixed upon the curtain. These superficial changes covered an extreme inner loathing such as might follow the display of some hideous or indecent spectacle. The indecent spectacle was her own action beheld for the first time from the outside; her aunt's words made her realize how infinitely repulsive the body of life is without its soul.
"Well?" she said at length.
Mrs. Milvain made a gesture as if to bring her closer, but it was not returned.
"We all know how good you are--how unselfish--how you sacrifice yourself to others. But you've been too unselfish, Katharine. You have made Cassandra happy, and she has taken advantage of your goodness.""I don't understand, Aunt Celia," said Katharine. "What has Cassandra done?""Cassandra has behaved in a way that I could not have thought possible," said Mrs. Milvain warmly. "She has been utterly selfish--utterly heartless. I must speak to her before I go.""I don't understand," Katharine persisted.
Mrs. Milvain looked at her. Was it possible that Katharine really doubted? That there was something that Mrs. Milvain herself did not understand? She braced herself, and pronounced the tremendous words:
"Cassandra has stolen William's love."
Still the words seemed to have curiously little effect.
"Do you mean," said Katharine, "that he has fallen in love with her?""There are ways of MAKING men fall in love with one, Katharine."Katharine remained silent. The silence alarmed Mrs. Milvain, and she began hurriedly:
"Nothing would have made me say these things but your own good. I have not wished to interfere; I have not wished to give you pain. I am a useless old woman. I have no children of my own. I only want to see you happy, Katharine."Again she stretched forth her arms, but they remained empty.
"You are not going to say these things to Cassandra," said Katharine suddenly. "You've said them to me; that's enough."Katharine spoke so low and with such restraint that Mrs. Milvain had to strain to catch her words, and when she heard them she was dazed by them.
"I've made you angry! I knew I should!" she exclaimed. She quivered, and a kind of sob shook her; but even to have made Katharine angry was some relief, and allowed her to feel some of the agreeable sensations of martyrdom.
"Yes," said Katharine, standing up, "I'm so angry that I don't want to say anything more. I think you'd better go, Aunt Celia. We don't understand each other."At these words Mrs. Milvain looked for a moment terribly apprehensive;she glanced at her niece's face, but read no pity there, whereupon she folded her hands upon a black velvet bag which she carried in an attitude that was almost one of prayer. Whatever divinity she prayed to, if pray she did, at any rate she recovered her dignity in a singular way and faced her niece.
"Married love," she said slowly and with emphasis upon every word, "is the most sacred of all loves. The love of husband and wife is the most holy we know. That is the lesson Mamma's children learnt from her;that is what they can never forget. I have tried to speak as she would have wished her daughter to speak. You are her grandchild."Katharine seemed to judge this defence upon its merits, and then to convict it of falsity.
"I don't see that there is any excuse for your behavior," she said.
At these words Mrs. Milvain rose and stood for a moment beside her niece. She had never met with such treatment before, and she did not know with what weapons to break down the terrible wall of resistance offered her by one who, by virtue of youth and beauty and ***, should have been all tears and supplications. But Mrs. Milvain herself was obstinate; upon a matter of this kind she could not admit that she was either beaten or mistaken. She beheld herself the champion of married love in its purity and supremacy; what her niece stood for she was quite unable to say, but she was filled with the gravest suspicions.
The old woman and the young woman stood side by side in unbroken silence. Mrs. Milvain could not make up her mind to withdraw while her principles trembled in the balance and her curiosity remained unappeased. She ransacked her mind for some question that should force Katharine to enlighten her, but the supply was limited, the choice difficult, and while she hesitated the door opened and William Rodney came in. He carried in his hand an enormous and splendid bunch of white and purple flowers, and, either not seeing Mrs. Milvain, or disregarding her, he advanced straight to Katharine, and presented the flowers with the words:
"These are for you, Katharine."
Katharine took them with a glance that Mrs. Milvain did not fail to intercept. But with all her experience, she did not know what to make of it. She watched anxiously for further illumination. William greeted her without obvious sign of guilt, and, explaining that he had a holiday, both he and Katharine seemed to take it for granted that his holiday should be celebrated with flowers and spent in Cheyne Walk. Apause followed; that, too, was natural; and Mrs. Milvain began to feel that she laid herself open to a charge of selfishness if she stayed.
