He had been one of the immortal and invincible band of liberators who had made the mercenaries of tyranny fly like chaff before a hurricane, ` un uragano terribile '. But that was before he was married and had children;and before tyranny had reared its head again amongst the traitors who had imprisoned Garibaldi, his hero.
There were three doors in the front of the house, and each afternoon the Garibaldino could be seen at one or another of them with his big bush of white hair, his arms folded, his legs crossed, leaning back his leonine head against the lintel, and looking up the wooded slopes of the foothills at the snowy dome of Higuerota. The front of his house threw off a black long rectangle of shade, broadening slowly over the soft ox-cart track.
Through the gaps, chopped out in the oleander hedges, the harbour branch railway, laid out temporarily on the level of the plain, curved away its shining parallel ribbons on a belt of scorched and withered grass within sixty yards of the end of the house. In the evening the empty material trains of flat cars circled round the dark green grove of Sulaco, and ran, undulating slightly with white jets of steam, over the plain towards the Casa Viola, on their way to the railway yards by the harbour The Italian drivers saluted him from the footplate with raised hand, while the Negro brakesmen sat carelessly on the brakes, looking straight forward, with the rims of their big hats flapping in the wind. In return Giorgio would give a slight sideways jerk of the head, without unfolding his arms.
On this memorable day of the riot his arms were not folded on his chest.
His hand grasped the barrel of the gun grounded on the threshold; he did not look up once at the white dome of Higuerota, whose cool purity seemed to hold itself aloof from a hot earth. His eyes examined the plain curiously.
Tall trails of dust subsided here and there. In a speckless sky the sun hung clear and blinding. Knots of men ran headlong; others made a stand;and the irregular rattle of firearms came rippling to his ears in the fiery, still air. Single figures on foot raced desperately. Horsemen galloped towards each other, wheeled round together, separated at speed. Giorgio saw one fall, rider and horse disappearing as if they had galloped into a chasm, and the movements of the animated scene were like the passages of a violent game played upon the plain by dwarfs mounted and on foot, yelling with tiny throats, under the mountain that seemed a colossal embodiment of silence. Never before had Giorgio seen this bit of plain so full of active life; his gaze could not take in all its details at once; he shaded his eyes with his hand, till suddenly the thundering of many hoofs near by startled him.
A troop of horses had broken out of the fenced paddock of the Railway Company. They came on like a whirlwind, and dashed over the line snorting, kicking, squealing in a compact, piebald, tossing mob of bay, brown, grey backs, eyes staring, necks extended, nostrils red, long tails streaming.
As soon as they had leaped upon the road the thick dust flew upwards from under their hoofs, and within six yards of Giorgio only a brown cloud with vague forms of necks and cruppers rolled by, ****** the soil tremble on its passage.
Viola coughed, turning his face away from the dust, and shaking his head slightly.
`There will be some horse-catching to be done before tonight,' he muttered.
In the square of sunlight falling through the door Signora Teresa, kneeling before the chair, had bowed her head, heavy with a twisted mass of ebony hair streaked with silver, into the palm of her hands. The black lace shawl she used to drape about her face dropped to the ground by her side. The two girls had got up, hand-in-hand, in short skirts, their loose hair falling in disorder. The younger had thrown her arm across her eyes, as if afraid to face the light. Linda, with her hand on the other's shoulder, stared fearlessly. Viola looked at his children.
The sun brought out the deep lines on his face, and, energetic in expression, it had the immobility of a carving. It was impossible to discover what he thought. Bushy grey eyebrows shaded his dark glance.
`Well! And do you not pray like your mother?'
Linda pouted, advancing her red lips, which were almost too red; but she had admirable eyes, brown, with a sparkle of gold in the irises, full of intelligence and meaning, and so clear that they seemed to throw a glow upon her thin, colourless face. There were bronze glints in the sombre clusters of her hair, and the eyelashes, long and coal black, made her complexion appear still more pale.
`Mother is going to offer up a lot of candles in the church. She always does when Nostromo has been away fighting. I shall have some to carry up to the Chapel of the Madonna in the Cathedral.'
She said all this quickly, with great assurance, in an animated, penetrating voice. Then, giving her sister's shoulder a slight shake, she added:
`And she will be made to carry one, too!'
`Why made?' inquired Giorgio, gravely. `Does she not want to?'
`She is timid,' said Linda, with a little burst of laughter. `People notice her fair hair as she goes along with us. They call out after her, "Look at the rubia ! Look at the rubiacita !" They call out in the streets. She is timid.'
`And you? You are not timid -- eh?' the father pronounced, slowly.
She tossed back all her dark hair.
`Nobody calls out after me.'
Old Giorgio contemplated his children thoughtfully. There was two years difference between them. They had been born to him late, years after the boy had died. Had he lived he would have been nearly as old as Gian' Battista -- he whom the English called Nostromo; but as to his daughters, the severity of his temper, his advancing age, his absorption in his memories, had prevented his taking much notice of them. He loved his children, but girls belong more to the mother, and much of his affection had been expended in the worship and service of liberty.
