Perhaps had they known how much she was inspired by an idealistic view of success they would have been amazed at the state of her mind as the Spanish-American ladies had been amazed at the tireless activity of her body. She would -- in her own words -- have been for them `something of a monster'. However, the Goulds were in essentials a reticent couple, and their guests departed without the suspicion of any other purpose but ****** profit in the working of a silver mine. Mrs Gould had out her own carriage, with two white mules, to drive them down to the harbour, whence the Ceres was to carry them off into the Olympus of plutocrats. Captain Mitchell had snatched at the occasion of leave-taking to remark to Mrs Gould, in a low, confidential mutter, `This marks an epoch.'
Mrs Gould loved the patio of her Spanish house. A broad flight of stone steps was overlooked silently from a niche in the wall by a Madonna in blue robes with the crowned child sitting on her arm. Subdued voices ascended in the early mornings from the paved well of the quadrangle, with the stamping of horses and mules led out in pairs to drink at the cistern. A tangle of slender bamboo stems drooped its narrow, blade-like leaves over the square pool of water, and the fat coachman sat muffled up on the edge, holding lazily the ends of halters in his hand. Barefooted servants passed to and fro, issuing from dark, low doorways below; two laundry girls with baskets of washed linen; the baker with the tray of bread made for the day; Leonarda -- her own camerista -- bearing high up, swung from her hand raised above her raven black head, a bunch of starched underskirts dazzlingly white in the slant of sunshine. Then the old porter would hobble in, sweeping the flagstones, and the house was ready for the day. All the lofty rooms on three sides of the quadrangle opened into each other and into the corredor , with its wrought-iron railings and a border of flowers, whence, like the lady of the medieval castle, she could witness from above all the departures and arrivals of the Casa, to which the sonorous arched gateway lent an air of stately importance.
She had watched her carriage roll away with the three guests from the north. She smiled. Their three arms went up simultaneously to their three hats. Captain Mitchell, the fourth, in attendance, had already begun a pompous discourse. Then she lingered. She lingered, approaching her face to the clusters of flowers here and there as if to give time to her thoughts to catch up with her slow footsteps along the straight vista of the corridor.
A fringed Indian hammock from Aroa, gay with coloured featherwork, had been swung judiciously in a corner that caught the early sun; for the mornings are cool in Sulaco. The cluster of flor de noche buena blazed in great masses before the open glass doors of the reception-rooms. A big green parrot, brilliant like an emerald in a cage that flashed like gold, screamed out ferociously, ` Viva Costaguana! ' then called twice mellifluously, ` Leonarda! Leonarda! ' in imitation of Mrs Gould's voice, and suddenly took refuge in immobility and silence. Mrs Gould reached the end of the gallery and put her head through the door of her husband's room.
Charles Gould, with one foot on a low wooden stool, was already strapping his spurs. He wanted to hurry back to the mine. Mrs Gould, without coming in, glanced about the room. One tall, broad bookcase, with glass doors, was full of books; but in the other, without shelves, and lined with red baize, were arranged firearms: Winchester carbines, revolvers, a couple of shot-guns, and even two pairs of double-barrelled holster pistols. Between them, by itself, upon a strip of scarlet velvet, hung an old cavalry sabre, once the property of Don Enrique Gould, the hero of the Occidental Province, presented by Don Jose Avellanos, the hereditary friend of the family.
Otherwise, the plastered white walls were completely bare, except for a water-colour sketch of the San Tome mountain -- the work of Dona Emilia herself. In the middle of the red-tiled floor stood two long tables littered with plans and papers, a few chairs, and a glass show-case containing specimens of ore from the mine. Mrs Gould, looking at all these things in turn, wondered aloud why the talk of these wealthy and enterprising men discussing the propects, the working, and the safety of the mine rendered her so impatient and uneasy, whereas she could talk of the mine by the hour with her husband with unwearied interest and satisfaction.
And dropping her eyelids expressively, she added:
`What do you feel about it, Charley?'
Then, surprised at her husband's silence, she raised her eyes, opened wide, as pretty pale flowers. He had done with the spurs, and, twisting his moustache with both hands, horizontally, he contemplated her from the height of his long legs with a visible appreciation of her appearance.
The consciousness of being thus contemplated pleased Mrs Gould.
`They are considerable men,' he said.
`I know. But have you listened to their conversation? They don't seem to have understood anything they have seen here.'
`They have seen the mine. They have understood that to some purpose,'
Charles Gould interjected, in defence of the visitors; and then his wife mentioned the name of the most considerable of the three. He was considerable in finance and in industry. His name was familiar to many millions of people.
He was so considerable that he would never have travelled so far away from the centre of his activity if the doctors had not insisted, with veiled menaces, on his taking a long holiday.
`Mr Holroyd's sense of religion,' Mrs Gould pursued, `was shocked and disgusted at the tawdriness of the dressed-up saints in the cathedral --the worship, he called it, of wood and tinsel. But it seemed to me that he looked upon his own God as a sort of influential partner, who gets his share of profits in the endowment of churches. That's a sort of idolatry.
He told me he endowed churches every year, Charley.'
