More Tricks of "Spiritualists"
"MATTER THROUGH MATTER"
There is one very clever "test" that is sometimes performed which would seem to show that something of this sort IS accomplished. It is, however, nothing more than an ingenious trick, and this might be a good time to explain its modus operandi. The general effect of the illusion is this: The medium requests some one to assist him in an experiment in which he is going to attempt to pass "matter through matter." As the test is one in which a confederate might easily be employed, he is very careful to choose some person who is well known, or whose character is above all suspicion. If this were not so, the entire effect of the test would be lost upon the investigators. Having secured his assistant, he hands him, for examination, a solid steel ring, just large enough to slip on and off the hand and arm easily. The ring is perfectly solid, and may be examined by anyone desirous of doing so. When this part of the performance is finished, the medium and his sitter then join or clasp their right hands (as in handshaking), and the sitter is instructed not to release the hand for a single instant. To "make assurance doubly sure," however, the hands are fastened together in any way the sitters may desire; the hands being tied together with tape, e. g., and the ends of this tape tied and the knots sealed.
The tape connects the wrists and the hands of the medium and his sitter, and this tying may be made as secure as possible. A piece of thick cloth is now thrown over the two hands and the lower part of the arms, concealing them from view. With his disengaged hand the medium now takes the iron ring and passes it up under the cloth, so as to bring it in contact with his own arm. He holds it there for some time, but ultimately snatches off the covering cloth, and reveals to the eyes of the astonished audience the ring--now encircling his own arm--in spite of the fact that the ties are still in statu quo, and the sitter never let go his hold for an instant. The ties and the ring may again be examined, if desired, before the hands are separated.
This is an exceedingly effective test, and has every appearance of being genuine--indeed, it is hard to see where trickery can come in. The trick is one of the ******st imaginable, however, and is performed in the following manner:
The medium has provided himself with TWO rings exactly alike; one of these the audience is free to examine, the other the medium is wearing on his right arm, under his coat. When the two hands are clasped together, therefore, it is a ****** thing for the medium, under cover of the enveloping cloth, to slip the duplicate ring down his sleeve, and on to his own hand, and that part of the "miracle" is accomplished! It remains only to explain what becomes of the first ring. The cloth thrown over the arms is very thick and stiff, as stated, and the inner side of this contains a double partition, or sort of bag, into which the medium slips the duplicate ring. The cloth may now be shown on both sides, without disclosing the ring, and the medium makes away with it as soon as possible, in order to avoid detection.
DECEPTION EXPLAINED BY THE SCIENCE OF PSYCHOLOGY
The object [of this passage] is to enable the reader to see, more easily, how it is that the watchful observer is deceived into believing that a thing is so, when in reality it is not, and vice versa; and also to give an idea of the various methods employed by the medium in order to accomplish his results.
I must first of all call the reader's attention to one or two rules which every conjurer learns at the commencement of his study, and which he learns to apply so constantly that it becomes second nature to him. The first is: Never let the eyes rest on the hand that is performing the "sleight," but always on the other hand, or on some object on the table or elsewhere, as this will have a tendency to draw the eyes of the audience to that point also. The sitters or audience will always look at the point closely watched by the magician--their eyes have a tendency to follow his, and wherever he looks, there will the onlooker look also. Needless to say, the magician makes use of this fact, and many tricks and illusions are dependent upon it for their successful ac-complishment. Whenever the magician or medium looks intently at one hand, therefore, the OTHER hand should be watched, as it is a sure sign that THAT is the hand which is performing the trick.
Another fundamental rule that is observed by all sleight-of-hand performers is: Never to let an audience know beforehand what is to be done; i. e., the nature of the trick that it is intended to perform. If the spectator knew what was forthcoming, he would be on the lookout for movements of the performer at certain critical times--just at the periods when close observation is least wanted--and would quite possibly detect the performer in the act of executing certain movements which would show how the trick was performed. But not knowing what is coming, the spectator is unable to watch closely at the critical moment--not knowing what that moment is--and so is unable to detect the trick, his attention being diverted by the performer, just before this movement is made, to some other object or movement.
The methods of diverting the spectator's attention are various.
There is the use of the eyes, as before shown. Then there is the spoken word, the performer telling the onlookers to observe some certain object or action, and the effect is to cause them to watch it, as they are told. They follow the line of least resistance.
The combined effect upon the spectator of the spoken word and the eyes together is generally irresistible.
