登陆注册
26259300000020

第20章 PURE SENSATIONS(3)

2) The principle of specific energy is contradictory to the fact that in many senses the number of different sensory elements does not correspond at all to that of different sensational qualities. Thus, from a single point in the retina we can receive all possible sensations of brightness and color; in the organs of smell and taste we find no clearly distinguishable forms of the sensory elements, while even a limited area of their sensory surfaces can receive a variety of sensations, which, especially in the case of the olfactory organ, is very large. Where we have every reason to assume that qualitatively different sensations actually do arise in different sensory elements, as in the case of the auditory organ, the structure of the organ goes to show that this difference is not due to any attribute of the nerve-fibres or of other sensory elements, but that it comes originally from the way in which they are arranged. Different fibres of the auditory nerve will, of course, be stimulated by different tone-vibrations, because the different parts of the basilar membrane are tuned to different tones; but this is not due to some original and inexplicable attribute of the single auditory nerve-fibres, but to the way in which they are connected with the end-organ.

3) Finally, the sensory nerves and central elements can have no original specific energy, because the peripheral sense-organ must be exposed to the adequate stimuli for a sufficient interval, or must at least have been so exposed at some previous period, before the corresponding sensations can arise through their stimulation. Persons congenitally blind and deaf do not have any sensations of light or tone whatever, so far as we know, even when the sensory nerves and centres were originally present.

Everything goes to show that the differences in the qualities of sensations are conditioned by the differences in the processes of stimulation that arise in the sense-organs. These processes are dependent, primarily on the character of the physical stimuli, and only secondarily on the peculiarities of the receiving organ, which are due to its adaptation to these stimuli. As a result of this adaptation, however, it may happen that even when some stimulus other than that which has effected the original adaptation of the sensory elements, that is, when an inadequate stimulus acts, the sensation corresponding to the adequate stimulus may arise. Still, this does not hold for all stimuli or for all sensory elements. Thus, hot and cold stimulations can not cause cutaneous sensations of pressure or sensations in the special sense-organs; chemical and electrical stimuli produce sensations of light only when they act upon the retina, not when they act on the optic nerve; and, finally, these general stimuli can not arouse sensations of smell or taste. When an electric current causes chemical disintegration, it may, indeed, arouse such sensations, but it is through the adequate chemical stimuli produced.

5. From the very nature of the case, it is impossible to explain the character of sensations from the character of physical and physiological stimuli. Stimuli and sensations can not be compared with one another at all; the first belong to the mediate experience of the natural sciences, the second to the immediate experience of psychology. An interrelation between sensations and physiological stimuli must necessarily exist, however, in the sense that different kinds of stimulation always correspond to different sensations. This principle of the parallelism of changes in sensation and in physiological stimulation is an important supplementary principle in both the psychological and physiological doctrines of sensation. In the first case it is used in producing definite changes in the sensation by means of intentional variation of the stimulus; in the second it is used in inferring the identity or non-identity of physiological stimulations from the identity or non-identity of the sensations. Furthermore, the same principle is the basis of our practical life and of our theoretical knowledge of the external world. A. SENSATIONS OF THE GENERAL SENSE.

6. The definition of the "general sense" includes two factors.

In point of time, the general sense is that which precedes all others and therefore belongs to all beings, endowed with mind. In its spacial attributes, the general sense is distinguished from the particular senses in having the most extensive sensory surface exposed to stimuli. It includes not only the whole external skin and the adjoining areas of the mucous membrane, but a large number of internal organs supplied with sensory nerves, such as joints, muscles, tendons, and bones, which are accessible to stimuli either always, or at certain times, under special conditions, as is the case with bones. The general sense includes four specific, distinct sensational systems: sensations of pressure, hot, cold, and pain. Not infrequently a single stimulus arouses more than one, of these sensations. The sensation is then immediately recognized as made up of a mixture of components from the different systems; for example, from sensations of pressure and pain, or from sensations of hot and pain. In a similar manner as a result of the extension of the sense-organ, we may often have mixtures of the various qualities of one and the same system, for example, qualitatively different sensations of pressure, when an extended region of the skin is touched.

同类推荐
  • 六反

    六反

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 林间录后集

    林间录后集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 禽海石

    禽海石

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 增订十药神书

    增订十药神书

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 玄灵转经晚朝行道仪

    玄灵转经晚朝行道仪

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 丑女的后宫

    丑女的后宫

    简介:狂风大作,风起云涌之时。她宅女兼网购狂一枚因收到一个意外的包裹而被卷进了另一个世界。她本将是清淤大陆最受宠的皇女,奈何空有富贵命却没命享,一个滔天阴谋,还没来得及出生的她就以胎死腹中,她又怎会甘心。然而上天垂怜,她从天而降接替她,为她背负了所有,岂不知她本就是她,而属于她的劫就此拉开帷幕。他、他还有他……回首的瞬间,她看着莫名的发觉身后的队伍悄然生息的在扩大。喂、那个啥、说你呢!我认识你么?你怎么也溜我后宫了?某男妖娆一笑:小落落,你还记得那晚的……?说罢撅起诱惑的樱唇向某女飞来一吻,顺便再抛来一颗秋天的菠菜。呃……某女脸一囧烦躁的抓了抓头发,尼玛这是闹哪样啊!
  • 冰山校草的高冷校花

    冰山校草的高冷校花

    所谓的好朋友,友谊真的可以美好下去,真的,我说过,我真的只是想好好和你们一起玩下去而已啊,你为什么就是不信我呢?曾经的美好誓言去哪了呢?你说过,无论怎样,你都会支持我的决定,这句话你不记得了吗?你说过,你会随时在我身边的,只要我需要你,你就会出现陪我的,你变了,我看不懂你了,你知道吗?我的话,你不记得,你的话,我确牢记在心里,公平吗?我没有奢求什么,你把我放在心里一点好吗?我犯贱的奢求你,我犯贱了,够了吗?你对我的看法是什么,我知道,我的你却不知道,呵呵,是我自作多情了,这真的让我想起一有本兮的歌《自作多情》。你够了吧,我对你的好,现在准备结束,你现在反过来说我变了,你好搞笑呦。
  • 皇妃拐走王

    皇妃拐走王

    她,时而天真可爱,时而霸气十足,时而运筹帷幄。敢爱敢恨的她颠覆了古代女子温婉端庄,唯唯诺诺的性子,她敢作敢为,雷厉风行,只有想不到,没有做不了。这样的女子,谁人不爱,谁人不喜,只是当爱意如流水般涌来之时,她是否能招架的住。到底谁是她所爱,等到尘埃落定,江山易主,她的王能否带她携手走向远方。尽情关注《皇妃拐走王》本文马上完结,请期待下一本小说《一莲渡锦纱》,新年过后会开始发文,到时候请百度搜索哦哦
  • 霸道穿越

    霸道穿越

    现代默默无名的她,却一不小心穿到古代变成了默默“无闻”的她。她却以此认为是自己的幸运,且看她在古代发愤图强,勤奋努力,步步为营,如何实现现代只能想想不能实现的梦想的。他是古代有名的美男子、高富帅,却嗜杀成性,冷酷至极。但为了她,却不惜一切,更是冷酷到底,把嗜血发挥到淋淋紧致。。。。。。
  • 南山呓语

    南山呓语

    你踏雪归来,却蹒跚而行。当初如若轻轻与她道声别,或许再见面时,已然两鬓斑白,她依旧轻轻丢下那帕子,绣着红花牡丹,我将它慢慢拾起,仰起头颅,递给伊人,在听她和着胭脂浓粉说一声,我们好像在哪见过?来的不紧不慢,长嘘短叹着,仰脖一饮而尽大坛白酒,看着漫天梨花雨,听她诉说着这南山的呓语。
  • 男神不添加

    男神不添加

    “为什么不加我?!!”好不容易从别人嘴里套到男神的微信,把美美的照片也发了,可是。。。男神就是不加她〒_〒苏可可对此已经要魔障了,没勇气出现在男神视线,只能靠这种方法在他世界活跃,可是。。。她还是继续去男神教室外面蹲点吧。。。
  • 谁的心,不曾兵荒马乱

    谁的心,不曾兵荒马乱

    一种情思,几处闲愁,过往烟云,试擦几行泪。
  • 美女总裁的贴身兵王

    美女总裁的贴身兵王

    他是曾经的铁血兵王,他是不败的战士“银狐”。退役后,他是美女总裁的贴身护卫,他叫秦枫。一身是胆真如铁,逍遥花都真霸王!
  • 界域骄女

    界域骄女

    修炼的世界原本的废物小姐,一跃成为华宇国最强教派幻羽教的圣女“女孩当自强”身着一袭紫衣,肩披一根七色彩绫“是个女子有如何?”站在巅峰的她淡淡的说出“谁说女子不如男,照样能够站在界域的巅峰”
  • 禁忌:黑夜

    禁忌:黑夜

    他背着一口棺,牵着一只手,杀破黑夜,化身禁忌!