It was when his eyes caught sight of the music that the young man felt again at ease, and his vivacity returned to him. Leaving his chair, he began enthusiastically to examine the tall piles that filled one side of the room. The volumes lay richly everywhere, ****** a pleasant disorder;and as perfume comes out of a flower, memories of singers and chandeliers rose bright from the printed names. "Norma," "Tancredi," "Don Pasquale,""La Vestale"--dim lights in the fashions of to-day--sparkled upon the exploring Gaston, conjuring the radiant halls of Europe before him. "'The Barber of Seville!'" he presently exclaimed."And I happened to hear it in Seville."But Seville's name brought over the padre a new rush of home thoughts.
"Is not Andalusia beautiful?" he said." Did you see it in April, when the flowers come?""Yes," said Gaston, among the music. "I was at Cordova then.""Ah, Cordova!" murmured the padre.
"'Semiramide!'" cried Gaston, lighting upon that opera. "That was a week!
I should like to live it over, every day and night of it!""Did you reach Malaga from Marseilles or Gibraltar?" said the padre, wistfully.
"From Marseilles. Down from Paris through the Rhone Valley, you know.""Then you saw Provence! And did you go, perhaps, from Avignon to Nismes by the Pont du Gard? There is a place I have made here--a little, little place--with olive-trees. And now they have grown, and it looks something like that country, if you stand in a particular position. I will take you there to-morrow. I think you will understand what I mean.""Another resemblance!" said the volatile and happy Gaston. "We both seem to have an eye for them. But, believe me, padre, I could never stay here planting olives. I should go back and see the original ones--and then I'd hasten up to Paris. "And, with a volume of Meyerbeer open in his hand, Gaston hummed: "'Robert, Robert, toi que j'aime.' Why, padre, I think that your library contains none of the masses and all of the operas in the world!""I will make you a little confession," said Padre Ignazio, "and then you shall give me a little absolution.""With a penance," said Gaston. "You must play over some of these things to me.""I suppose that I could not permit myself this indulgence," began the padre, pointing to his operas; "and teach these to my choir, if the people had any worldly associations with the music. But I have reasoned that the music cannot do them harm--"The ringing of a bell here interrupted him. "In fifteen minutes," he said, "our poor meal will be ready for you." The good padre was not quite sincere when he spoke of a poor meal. While getting the aguardiente for his guest he had given orders, and he knew how well such orders could be carried out. He lived alone, and generally supped simply enough, but not even the ample table at San Fernando could surpass his own on occasions.
And this was for him an occasion indeed!
"Your half-breeds will think I am one of themselves," said Gaston, showing his dusty clothes. "I am not fit to be seated with you." He, too, was not more sincere than his host. In his pack, which an Indian had brought from his horse, he carried some garments of civilization. And presently, after fresh water and not a little painstaking with brush and scarf, there came back to the padre a young guest whose elegance and bearing and ease of the great world were to the exiled priest as sweet as was his traveled conversation.
They repaired to the hall and took their seats at the head of the long table. For the stately Spanish centuries of custom lived at Santa Ysabel del Mar, inviolate, feudal, remote.
They were the only persons of quality present; and between themselves and the gente de razon a space intervened. Behind the padre's chair stood an Indian to wait upon him, and another stood behind the chair of Gaston Villere. Each of these servants wore one single white garment, and offered the many dishes to the gente fina and refilled their glasses. At the lower end of the table a general attendant waited upon the mesclados--the half-breeds. There was meat with spices, and roasted quail, with various cakes and other preparations of grain; also the black fresh olives, and grapes, with several sorts of figs and plums, and preserved fruits, and white and red wine--the white fifty years old. Beneath the quiet shining of candles, fresh-cut flowers leaned from vessels of old Mexican and Spanish make.
There at one end of this feast sat the wild, pastoral, gaudy company, speaking little over their food; and there at the other the pale padre, questioning his visitor about Rachel. The mere name of a street would bring memories crowding to his lips; and when his guest would tell him of a new play, he was ready with old quotations from the same author. Alfred de Vigny they had, and Victor Hugo, whom the padre disliked. Long after the dulce, or sweet dish, when it was the custom for the vaqueros and the rest of the retainers to rise and leave the gente fina to themselves, the host sat on in the empty hall, fondly telling the guest of his bygone Paris, and fondly learning of the Paris that was to-day. And thus the two lingered, exchanging their fervors, while the candles waned, and the long-haired Indians stood silent behind the chairs.
"But we must go to my piano," the host exclaimed. For at length they had come to a lusty difference of opinion. The padre, with ears critically deaf, and with smiling, unconvinced eyes, was shaking his head, while young Gaston sang "Trovatore" at him, and beat upon the table with a fork.
"Come and convert me, then," said Padre Ignazio, and he led the way.
