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第14章 HAVE PATIENCE, LITTLE SAINT(2)

In nothing do we show how far the West is from the East so emphatically as we show it by our lofty ways towards those who so manifestly put themselves at our feet. It is certainly not pleasant to see them there; but silence or a storm of impersonal protest--a protest that appeals vaguely less to the beggars than to some not impossible police--does not seem the most appropriate manner of rebuking them. We have, it may be, a scruple on the point of human dignity, compromised by the entreaty and the thanks of the mendicant; but we have a strange way of vindicating that dignity when we refuse to man, woman, or child the recognition of a simply human word. Nay, our offence is much the greater of the two. It is not merely a rough and contemptuous intercourse, it is the refusal of intercourse--the last outrage. How do we propose to redress those conditions of life that annoy us when a brother whines, if we deny the presence, the voice, and the being of this brother, and if, because fortune has refused him money, we refuse him existence?

We take the matter too seriously, or not seriously enough, to hold it in the indifference of the wise. "Have patience, little saint," is a phrase that might teach us the cheerful way to endure our own unintelligible fortunes in the midst, say, of the population of a hill-village among the most barren of the Maritime Alps, where huts of stone stand among the stones of an unclothed earth, and there is no sign of daily bread. The people, albeit unused to travellers, yet know by instinct what to do, and beg without the delay of a moment as soon as they see your unwonted figure. Let it be taken for granted that you give all you can; some form of refusal becomes necessary at last, and the gentlest--it is worth while to remember-- is the most effectual. An indignant tourist, one who to the portent of a puggaree which, perhaps, he wears on a grey day, adds that of ungovernable rage, is so wild a visitor that no attempt at all is made to understand him; and the beggars beg dismayed but unalarmed, uninterruptedly, without a pause or a conjecture. They beg by rote, thinking of something else, as occasion arises, and all indifferent to the violence of the rich.

It is the merry beggar who has so lamentably disappeared. If a beggar is still merry anywhere, he hides away what it would so cheer and comfort us to see; he practises not merely the conventional seeming, which is hardly intended to convince, but a more subtle and dramatic kind of semblance, of no good influence upon the morals of the road. He no longer trusts the world with a sight of his gaiety.

He is not a wholehearted mendicant, and no longer keeps that liberty of unstable balance whereby an unattached creature can go in a new direction with a new wind. The merry beggar was the only adventurer free to yield to the lighter touches of chance, the touches that a habit of resistance has made imperceptible to the seated and stable social world.

The visible flitting figure of the unfettered madman sprinkled our literature with mad songs, and even one or two poets of to-day have, by tradition, written them; but that wild source of inspiration has been stopped; it has been built over, lapped and locked, imprisoned, led underground. The light melancholy and the wind-blown joys of the song of the distraught, which the poets were once ingenious to capture, have ceased to sound one note of liberty in the world's ears. But it seems that the grosser and saner ******* of the happy beggar is still the subject of a Spanish song.

That song is gay, not defiant it is not an outlaw's or a robber's, it is not a song of violence or fear. It is the random trolling note of a man who owes his liberty to no disorder, failure, or ill- fortune, but takes it by choice from the voluntary world, enjoys it at the hand of unreluctant charity; who twits the world with its own choice of bonds, but has not broken his own by force. It seems, therefore, the song of an indomitable liberty of movement, light enough for the puffs of a zephyr chance.

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