Aileen, who had always been inordinately vain of the house in spite of the fact that it had proved of small use socially, was delighted to show him the remainder of the rooms. Lynde, who was used, of course, to houses of all degrees of material splendor--that of his own family being one of the best--pretended an interest he did not feel. He commented as he went on the taste of the decorations and wood-carving, the charm of the arrangement that permitted neat brief vistas, and the like.
"Just wait a moment," said Aileen, as they neared the door of her own boudoir. "I've forgotten whether mine is in order. I want you to see that."
She opened it and stepped in.
"Yes, you may come," she called.
He followed. "Oh yes, indeed. Very charming. Very graceful--those little lacy dancing figures--aren't they? A delightful color scheme.
It harmonizes with you exactly. It is quite like you."
He paused, looking at the spacious rug, which was of warm blues and creams, and at the gilt ormolu bed. "Well done," he said, and then, suddenly changing his mood and dropping his talk of decoration (Aileen was to his right, and he was between her and the door), he added: "Tell me now why won't you come to the barn-dance to-night?
It would be charming. You will enjoy it."
Aileen saw the sudden change in his mood. She recognized that by showing him the rooms she had led herself into an easily made disturbing position. His dark engaging eyes told their own story.
"Oh, I don't feel in the mood to. I haven't for a number of things for some time. I--"
She began to move unconcernedly about him toward the door, but he detained her with his hand. "Don't go just yet," he said. "Let me talk to you. You always evade me in such a nervous way. Don't you like me at all?"
"Oh yes, I like you; but can't we talk just as well down in the music-room as here? Can't I tell you why I evade you down there just as well as I can here?" She smiled a winning and now fearless smile.
Lynde showed his even white teeth in two gleaming rows. His eyes filled with a gay maliciousness. "Surely, surely," he replied;"but you're so nice in your own room here. I hate to leave it."
"Just the same," replied Aileen, still gay, but now slightly disturbed also, "I think we might as well. You will find me just as entertaining downstairs."
She moved, but his strength, quite as Cowperwood's, was much too great for her. He was a strong man.
"Really, you know," she said, "you mustn't act this way here.
Some one might come in. What cause have I given you to make you think you could do like this with me?"
"What cause?" he asked, bending over her and smoothing her plump arms with his brown hands. "Oh, no definite cause, perhaps. You are a cause in yourself. I told you how sweet I thought you were, the night we were at the Alcott. Didn't you understand then? I thought you did."
"Oh, I understood that you liked me, and all that, perhaps. Any one might do that. But as for anything like--well--taking such liberties with me--I never dreamed of it. But listen. I think I hear some one coming." Aileen, ****** a sudden vigorous effort to free herself and failing, added: "Please let me go, Mr. Lynde.
It isn't very gallant of you, I must say, restraining a woman against her will. If I had given you any real cause--I shall be angry in a moment."
Again the even smiling teeth and dark, wrinkling, malicious eyes.
"Really! How you go on! You would think I was a perfect stranger.
Don't you remember what you said to me at lunch? You didn't keep your promise. You practically gave me to understand that you would come. Why didn't you? Are you afraid of me, or don't you like me, or both? I think you're delicious, splendid, and I want to know."
He shifted his position, putting one arm about her waist, pulling her close to him, looking into her eyes. With the other he held her free arm. Suddenly he covered her mouth with his and then kissed her cheeks. "You care for me, don't you? What did you mean by saying you might come, if you didn't?"
He held her quite firm, while Aileen struggled. It was a new sensation this--that of the other man, and this was Polk Lynde, the first individual outside of Cowperwood to whom she had ever felt drawn. But now, here, in her own room--and it was within the range of possibilities that Cowperwood might return or the servants enter.
"Oh, but think what you are doing," she protested, not really disturbed as yet as to the outcome of the contest with him, and feeling as though he were merely trying to make her be sweet to him without intending anything more at present--"here in my own room! Really, you're not the man I thought you were at all, if you don't instantly let me go. Mr. Lynde! Mr. Lynde!" (He had bent over and was kissing her). "Oh, you shouldn't do this! Really!
I--I said I might come, but that was far from doing it. And to have you come here and take advantage of me in this way! I think you're horrid. If I ever had any interest in you, it is quite dead now, I can assure you. Unless you let me go at once, I give you my word I will never see you any more. I won't! Really, I won't! I mean it! Oh, please let me go! I'll scream, I tell you!
I'll never see you again after this day! Oh--" It was an intense but useless struggle.
Coming home one evening about a week later, Cowperwood found Aileen humming cheerfully, and yet also in a seemingly deep and reflective mood. She was just completing an evening toilet, and looked young and colorful--quite her avid, seeking self of earlier days.
"Well," he asked, cheerfully, "how have things gone to-day?" Aileen, feeling somehow, as one will on occasions, that if she had done wrong she was justified and that sometime because of this she might even win Cowperwood back, felt somewhat kindlier toward him. "Oh, very well," she replied. "I stopped in at the Hoecksemas' this afternoon for a little while. They're going to Mexico in November.
She has the darlingest new basket-carriage--if she only looked like anything when she rode in it. Etta is getting ready to enter Bryn Mawr. She is all fussed up about leaving her dog and cat.
