When, however, they reached the little table under the tree, the apparently immovable young lady had moved away after all, and it was some time before they came upon the track of her.
She had risen, though languidly, and wandered slowly along the upper path of the terraced garden looking down on the lower path where it ran closer to the main bulk of the little wood by the sea.
Her languor was not a feebleness but rather a fullness of life, like that of a child half awake; she seemed to stretch herself and enjoy everything without noticing anything.
She passed the wood, into the gray huddle of which a single white path vanished through a black hole. Along this part of the terrace ran something like a low rampart or balustrade, embowered with flowers at intervals; and she leaned over it, looking down At another glimpse of the glowing sea behind the clump of trees, and on another irregular path tumbling down to the pier and the boatman's cottage on the beach.
As she gazed, sleepily enough, she saw that a strange figure was very actively climbing the path, apparently coming from the fisherman's cottage; so actively that a moment afterwards it came out between the trees and stood upon the path just below her.
It was not only a figure strange to her, but one somewhat strange in itself. It was that of a man still young, and seeming somehow younger than his own clothes, which were not only shabby but antiquated; clothes common enough in texture, yet carried in an uncommon fashion.
He wore what was presumably a light waterproof, perhaps through having come off the sea; but it was held at the throat by one button, and hung, sleeves and all, more like a cloak than a coat.
He rested one bony hand on a black stick; under the shadow of his broad hat his black hair hung down in a tuft or two.
His face, which was swarthy, but rather handsome in itself, wore something that may have been a slightly embarrassed smile, but had too much the appearance of a sneer.
Whether this apparition was a tramp or a trespasser, or a friend of some of the fishers or woodcutters, Barbara Vane was quite unable to guess.
He removed his hat, still with his unaltered and rather sinister smile, and said civilly: "Excuse me. The Squire asked me to call."
Here he caught sight of Martin, the woodman, who was shifting along the path, thinning the thin trees; and the stranger made a familiar salute with one finger.
The girl did not know what to say. "Have you--have you come about cutting the wood?" she asked at last.
"I would I were so honest a man," replied the stranger.
"Martin is, I fancy, a distant cousin of mine; we Cornish folk just round here are nearly all related, you know; but I do not cut wood.
I do not cut anything, except, perhaps, capers. I am, so to speak, a jongleur."
"A what?" asked Barbara.
"A minstrel, shall we say?" answered the newcomer, and looked up at her more steadily. During a rather odd silence their eyes rested on each other. What she saw has been already noted, though by her, at any rate, not in the least understood.
What he saw was a decidedly beautiful woman with a statuesque face and hair that shone in the sun like a helmet of copper.
"Do you know," he went on, "that in this old place, hundreds of years ago, a jongleur may really have stood where I stand, and a lady may really have looked over that wall and thrown him money?"
"Do you want money?" she asked, all at sea.
"Well," drawled the stranger, "in the sense of lacking it, perhaps, but I fear there is no place now for a minstrel, except nigger minstrel.
I must apologize for not blacking my face."
She laughed a little in her bewilderment, and said:
"Well, I hardly think you need do that."
"You think the natives here are dark enough already, perhaps," he observed calmly. "After all, we are aborigines, and are treated as such."
She threw out some desperate remark about the weather or the scenery, and wondered what would happen next.
"The prospect is certainly beautiful," he assented, in the same enigmatic manner. "There is only one thing in it I am doubtful about."
While she stood in silence he slowly lifted his black stick like a long black finger and pointed it at the peacock trees above the wood.
And a queer feeling of disquiet fell on the girl, as if he were, by that mere gesture, doing a destructive act and could send a blight upon the garden.
The strained and almost painful silence was broken by the voice of Squire Vane, loud even while it was still distant.
"We couldn'tt make out where you'd got to, Barbara," he said.
"This is my friend, Mr. Cyprian Paynter." The next moment he saw the stranger and stopped, a little puzzled. it was only Mr. Cyprian Paynter himself who was equal to the situation.
He had seen months ago a portrait of the new Cornish poet in some American literary magazine, and he found himself, to his surprise, the introducer instead of the introduced.
"Why, Squire," he said in considerable astonishment, "don't you know Mr. Treherne? I supposed, of course, he was a neighbor."
"Delighted to see you, Mr. Treherne," said the Squire, recovering his manners with a certain genial confusion.
"So pleased you were able to come. This is Mr. Paynter---my daughter," and, turning with a certain boisterous embarrassment, he led the way to the table under the tree.
Cyprian Paynter followed, inwardly revolving a puzzle which had taken even his experience by surprise. The American, if intellectually an aristocrat, was still socially and subconsciously a democrat.
It had never crossed his mind that the poet should be counted lucky to know the squire and not the squire to know the poet.
The honest patronage in Vane's hospitality was something which made Paynter feel he was, after all, an exile in England.
The Squire, anticipating the trial of luncheon with a strange literary man, had dealt with the case tactfully from his own standpoint.
