There flashed across her mind the beautiful reception-room, library, parlor, and boudoirs of the Cowperwoods, which were now being arranged and about which Anna Cowperwood talked to her so much--their dainty, lovely triangular grand piano in gold and painted pink and blue. Why couldn't they have things like that? Her father was unquestionably a dozen times as wealthy. But no, her father, whom she loved dearly, was of the old school. He was just what people charged him with being, a rough Irish contractor. He might be rich. She flared up at the injustice of things--why couldn't he have been rich and refined, too? Then they could have--but, oh, what was the use of complaining? They would never get anywhere with her father and mother in charge. She would just have to wait. Marriage was the answer--the right marriage. But whom was she to marry?
"You surely are not going to go on fighting about that now," pleaded Mrs. Butler, as strong and patient as fate itself. She knew where Aileen's trouble lay.
"But we might have a decent house," insisted Aileen. "Or this one done over," whispered Norah to her mother.
"Hush now! In good time," replied Mrs. Butler to Norah. "Wait.
We'll fix it all up some day, sure. You run to your lessons now.
You've had enough."
Norah arose and left. Aileen subsided. Her father was simply stubborn and impossible. And yet he was sweet, too. She pouted in order to compel him to apologize.
"Come now," he said, after they had left the table, and conscious of the fact that his daughter was dissatisfied with him. He must do something to placate her. "Play me somethin' on the piano, somethin' nice." He preferred showy, clattery things which exhibited her skill and muscular ability and left him wondering how she did it. That was what education was for--to enable her to play these very difficult things quickly and forcefully. "And you can have a new piano any time you like. Go and see about it.
This looks pretty good to me, but if you don't want it, all right."
Aileen squeezed his arm. What was the use of arguing with her father? What good would a lone piano do, when the whole house and the whole family atmosphere were at fault? But she played Schumann, Schubert, Offenbach, Chopin, and the old gentleman strolled to and fro and mused, smiling. There was real feeling and a thoughtful interpretation given to some of these things, for Aileen was not without sentiment, though she was so strong, vigorous, and withal so defiant; but it was all lost on him. He looked on her, his bright, healthy, enticingly beautiful daughter, and wondered what was going to become of her. Some rich man was going to many her--some fine, rich young man with good business instincts--and he, her father, would leave her a lot of money.
There was a reception and a dance to be given to celebrate the opening of the two Cowperwood homes--the reception to be held in Frank Cowperwood's residence, and the dance later at his father's.
The Henry Cowperwood domicile was much more pretentious, the reception-room, parlor, music-room, and conservatory being in this case all on the ground floor and much larger. Ellsworth had arranged it so that those rooms, on occasion, could be thrown into one, leaving excellent space for promenade, auditorium, dancing--anything, in fact, that a large company might require. It had been the intention all along of the two men to use these houses jointly. There was, to begin with, a combination use of the various servants, the butler, gardener, laundress, and maids.
Frank Cowperwood employed a governess for his children. The butler was really not a butler in the best sense. He was Henry Cowperwood's private servitor. But he could carve and preside, and he could be used in either house as occasion warranted. There was also a hostler and a coachman for the joint stable. When two carriages were required at once, both drove. It made a very agreeable and satisfactory working arrangement.
The preparation of this reception had been quite a matter of importance, for it was necessary for financial reasons to make it as extensive as possible, and for social reasons as exclusive.
It was therefore decided that the afternoon reception at Frank's house, with its natural overflow into Henry W.'s, was to be for all--the Tighes, Steners, Butlers, Mollenhauers, as well as the more select groups to which, for instance, belonged Arthur Rivers, Mrs. Seneca Davis, Mr. and Mrs. Trenor Drake, and some of the younger Drexels and Clarks, whom Frank had met. It was not likely that the latter would condescend, but cards had to be sent. Later in the evening a less democratic group if possible was to be entertained, albeit it would have to be extended to include the friends of Anna, Mrs. Cowperwood, Edward, and Joseph, and any list which Frank might personally have in mind. This was to be the list. The best that could be persuaded, commanded, or influenced of the young and socially elect were to be invited here.
It was not possible, however, not to invite the Butlers, parents and children, particularly the children, for both afternoon and evening, since Cowperwood was personally attracted to Aileen and despite the fact that the presence of the parents would be most unsatisfactory. Even Aileen as he knew was a little unsatisfactory to Anna and Mrs. Frank Cowperwood; and these two, when they were together supervising the list of invitations, often talked about it.
"She's so hoidenish," observed Anna, to her sister-in-law, when they came to the name of Aileen. "She thinks she knows so much, and she isn't a bit refined. Her father! Well, if I had her father I wouldn't talk so smart."
Mrs. Cowperwood, who was before her secretaire in her new boudoir, lifted her eyebrows.
"You know, Anna, I sometimes wish that Frank's business did not compel me to have anything to do with them. Mrs. Butler is such a bore. She means well enough, but she doesn't know anything.
