The seeds of change--subtle, metaphysical--are rooted deeply.
From the first mention of the dance by Mrs. Cowperwood and Anna, Aileen had been conscious of a desire toward a more effective presentation of herself than as yet, for all her father's money, she had been able to achieve. The company which she was to encounter, as she well knew, was to be so much more impressive, distinguished than anything she had heretofore known socially.
Then, too, Cowperwood appeared as something more definite in her mind than he had been before, and to save herself she could not get him out of her consciousness.
A vision of him had come to her but an hour before as she was dressing. In a way she had dressed for him. She was never forgetful of the times he had looked at her in an interested way. He had commented on her hands once. To-day he had said that she looked "stunning," and she had thought how easy it would be to impress him to-night--to show him how truly beautiful she was.
She had stood before her mirror between eight and nine--it was nine-fifteen before she was really ready--and pondered over what she should wear. There were two tall pier-glasses in her wardrobe--an unduly large piece of furniture--and one in her closet door.
She stood before the latter, looking at her bare arms and shoulders, her shapely figure, thinking of the fact that her left shoulder had a dimple, and that she had selected garnet garters decorated with heart-shaped silver buckles. The corset could not be made quite tight enough at first, and she chided her maid, Kathleen Kelly. She studied how to arrange her hair, and there was much ado about that before it was finally adjusted. She penciled her eyebrows and plucked at the hair about her forehead to make it loose and shadowy. She cut black court-plaster with her nail-shears and tried different-sized pieces in different places. Finally, she found one size and one place that suited her. She turned her head from side to side, looking at the combined effect of her hair, her penciled brows, her dimpled shoulder, and the black beauty-spot. If some one man could see her as she was now, some time! Which man? That thought scurried back like a frightened rat into its hole. She was, for all her strength, afraid of the thought of the one--the very deadly--the man.
And then she came to the matter of a train-gown. Kathleen laid out five, for Aileen had come into the joy and honor of these things recently, and she had, with the permission of her mother and father, indulged herself to the full. She studied a golden-yellow silk, with cream-lace shoulder-straps, and some gussets of garnet beads in the train that shimmered delightfully, but set it aside.
She considered favorably a black-and-white striped silk of odd gray effect, and, though she was sorely tempted to wear it, finally let it go. There was a maroon dress, with basque and overskirt over white silk; a rich cream-colored satin; and then this black sequined gown, which she finally chose. She tried on the cream-colored satin first, however, being in much doubt about it; but her penciled eyes and beauty-spot did not seem to harmonize with it. Then she put on the black silk with its glistening crimsoned-silver sequins, and, lo, it touched her.
She liked its coquettish drapery of tulle and silver about the hips. The "overskirt," which was at that time just coming into fashion, though avoided by the more conservative, had been adopted by Aileen with enthusiasm. She thrilled a little at the rustle of this black dress, and thrust her chin and nose forward to make it set right. Then after having Kathleen tighten her corsets a little more, she gathered the train over her arm by its train-band and looked again. Something was wanting. Oh, yes, her neck!
What to wear--red coral? It did not look right. A string of pearls? That would not do either. There was a necklace made of small cameos set in silver which her mother had purchased, and another of diamonds which belonged to her mother, but they were not right. Finally, her jet necklet, which she did not value very highly, came into her mind, and, oh, how lovely it looked! How soft and smooth and glistening her chin looked above it. She caressed her neck affectionately, called for her black lace mantilla, her long, black silk dolman lined with red, and she was ready.
The ball-room, as she entered, was lovely enough. The young men and young women she saw there were interesting, and she was not wanting for admirers. The most aggressive of these youths--the most forceful--recognized in this maiden a fillip to life, a sting to existence. She was as a honey-jar surrounded by too hungry flies.
But it occurred to her, as her dance-list was filling up, that there was not much left for Mr. Cowperwood, if he should care to dance with her.
Cowperwood was meditating, as he received the last of the guests, on the subtlety of this matter of the *** arrangement of life.
Two ***es. He was not at all sure that there was any law governing them. By comparison now with Aileen Butler, his wife looked rather dull, quite too old, and when he was ten years older she would look very much older.
"Oh, yes, Ellsworth had made quite an attractive arrangement out of these two houses--better than we ever thought he could do."
He was talking to Henry Hale Sanderson, a young banker. "He had the advantage of combining two into one, and I think he's done more with my little one, considering the limitations of space, than he has with this big one. Father's has the advantage of size.
I tell the old gentleman he's simply built a lean-to for me."
His father and a number of his cronies were over in the dining-room of his grand home, glad to get away from the crowd. He would have to stay, and, besides, he wanted to. Had he better dance with Aileen? His wife cared little for dancing, but he would have to dance with her at least once. There was Mrs. Seneca Davis smiling at him, and Aileen. By George, how wonderful! What a girl!
"I suppose your dance-list is full to overflowing. Let me see."
