While you boys were just fussin' round, doin' nothing, I wrote to the express company that a box of women's damaged duds had arrived here, while we were looking for our statue; that you chaps were so riled at bein' sold by them that you dumped the whole blamed thing in the creek. But I added, if they'd let me know what the damage was, I'd send 'em a draft to cover it. After a spell of waitin' they said they'd call it square for two hundred dollars, considering our disappointment. And I sent the draft. That's spurred them up to get over our statue, I reckon. And, now that it's coming, it will set us right with the boys."
"And SHE," said Clinton Grey again, pointing to the locked chest, "belongs to us?"
"Until we can find some lady guest that will take her with the rooms," returned the president, a little cynically.
But the arrival of the real statue and its erection in the hotel vestibule created a new sensation. The members of the Excelsior Company were loud in its praises except the executive committee, whose coolness was looked upon by the others as an affectation of superiority. It awakened the criticism and jealousy of the nearest town.
"We hear," said the "Red Dog Advertiser," "that the long-promised statue has been put up in that high-toned Hash Dispensary they call a hotel at Excelsior. It represents an emaciated squaw in a scanty blanket gathering roots, and carrying a bit of thorn-bush kindlings behind her. The high-toned, close corporation of Excelsior may consider this a fair allegory of California; WE should say it looks mighty like a prophetic forecast of a hard winter on Sycamore Creek and scarcity of provisions. However, it isn't our funeral, though it's rather depressing to the casual visitor on his way to dinner.
For a long time this work of art was missing and supposed to be lost, but by being sternly and persistently rejected at every express office on the route, it was at last taken in at Excelsior."
There was some criticism nearer home.
"What do you think of it, Miss Marsh?" said the president politely to that active young secretary, as he stood before it in the hall.
The young woman adjusted her eye-glasses over her aquiline nose.
"As an idea or a woman, sir?"
"As a woman, madam," said the president, letting his brown eyes slip for a moment from Miss Marsh's corn-colored crest over her straight but scant figure down to her smart slippers.
"Well, sir, she could wear YOUR boots, and there isn't a corset in Sacramento would go round her."
"Thank you!" he returned gravely, and moved away. For a moment a wild idea of securing possession of the figure some dark night, and, in company with his fellow-conspirators, of trying those beautiful clothes upon her, passed through his mind, but he dismissed it. And then occurred a strange incident, which startled even his cool, American sanity.
It was a beautiful moonlight night, and he was returning to a bedroom at the hotel which he temporarily occupied during the painting of his house. It was quite late, he having spent the evening with a San Francisco friend after a business conference which assured him of the remarkable prosperity of Excelsior. It was therefore with some human exaltation that he looked around the sleeping settlement which had sprung up under the magic wand of their good fortune. The full moon had idealized their youthful designs with something of their own youthful coloring, graciously softening the garish freshness of paint and plaster, hiding with discreet obscurity the disrupted banks and broken woods at the beginning and end of their broad avenues, paving the rough river terrace with tessellated shadows, and even touching the rapid stream which was the source of their wealth with a Pactolean glitter.
The windows of the hotel before him, darkened within, flashed in the moonbeams like the casements of Aladdin's palace. Mingled with his ambition, to-night, were some softer fancies, rarely indulged by him in his forecast of the future of Excelsior--a dream of some fair partner in his life, after this task was accomplished, yet always of some one moving in a larger world than his youth had known. Rousing the half sleeping porter, he found, however, only the spectral gold-seeker in the vestibule,--the rays of his solitary candle falling upon her divining-rod with a quaint persistency that seemed to point to the stairs he was ascending.
When he reached the first landing the rising wind through an open window put out his light, but, although the staircase was in darkness, he could see the long corridor above illuminated by the moonlight throughout its whole length. He had nearly reached it when the slow but unmistakable rustle of a dress in the distance caught his ear. He paused, not only in the interest of delicacy, but with a sudden nervous thrill he could not account for. The rustle came nearer--he could hear the distinct frou-frou of satin; and then, to his bewildered eyes, what seemed to be the figure of the dummy, arrayed in the pale blue evening dress he knew so well, passed gracefully and majestically down the corridor. He could see the shapely folds of the skirt, the symmetry of the bodice, even the harmony of the trimmings. He raised his eyes, half affrightedly, prepared to see the headless shoulders, but they--and what seemed to be a head--were concealed in a floating "cloud" or nubia of some fleecy tissue, as if for protection from the evening air. He remained for an instant motionless, dazed by this apparent motion of an inanimate figure; but as the absurdity of the idea struck him he hurriedly but stealthily ascended the remaining stairs, resolved to follow it. But he was only in time to see it turn into the angle of another corridor, which, when he had reached it, was empty. The figure had vanished!
