登陆注册
26305300000017

第17章 ACT IV(3)

[Shaking hands with ASTROFF] Many thanks for your pleasant company. I have a deep regard for your opinions and your enthusiasm, but let me, as an old man, give one word of advice at parting: do something, my friend! Work! Do something! [They all bow] Good luck to you all. [He goes out followed by MME.

VOITSKAYA and SONIA.]

VOITSKI [Kissing HELENA'S hand fervently] Good-bye--forgive me. Ishall never see you again!

HELENA. [Touched] Good-bye, dear boy.

She lightly kisses his head as he bends over her hand, and goes out.

ASTROFF. Tell them to bring my carriage around too, Waffles.

TELEGIN. All right, old man.

ASTROFF and VOITSKI are left behind alone. ASTROFF collects his paints and drawing materials on the table and packs them away in a box.

ASTROFF. Why don't you go to see them off?

VOITSKI. Let them go! I--I can't go out there. I feel too sad. Imust go to work on something at once. To work! To work!

He rummages through his papers on the table. A pause. The tinkling of bells is heard as the horses trot away.

ASTROFF. They have gone! The professor, I suppose, is glad to go.

He couldn't be tempted back now by a fortune.

MARINA comes in.

MARINA. They have gone. [She sits down in an arm-chair and knits her stocking.]

SONIA comes in wiping her eyes.

SONIA. They have gone. God be with them. [To her uncle] And now, Uncle Vanya, let us do something!

VOITSKI. To work! To work!

SONIA. It is long, long, since you and I have sat together at this table. [She lights a lamp on the table] No ink! [She takes the inkstand to the cupboard and fills it from an ink-bottle] How sad it is to see them go!

MME. VOITSKAYA comes slowly in.

MME. VOITSKAYA. They have gone.

She sits down and at once becomes absorbed in her book. SONIAsits down at the table and looks through an account book.

SONIA. First, Uncle Vanya, let us write up the accounts. They are in a dreadful state. Come, begin. You take one and I will take the other.

VOITSKI. In account with [They sit silently writing.]

MARINA. [Yawning] The sand-man has come.

ASTROFF. How still it is. Their pens scratch, the cricket sings;it is so warm and comfortable. I hate to go. [The tinkling of bells is heard.]

ASTROFF. My carriage has come. There now remains but to say good-bye to you, my friends, and to my table here, and then--away! [He puts the map into the portfolio.]

MARINA. Don't hurry away; sit a little longer with us.

ASTROFF. Impossible .

VOITSKI. [Writing] And carry forward from the old debt two seventy-five--WORKMAN comes in.

WORKMAN. Your carriage is waiting, sir.

ASTROFF. All right. [He hands the WORKMAN his medicine-case, portfolio, and box] Look out, don't crush the portfolio!

WORKMAN. Very well, sir.

SONIA. When shall we see you again?

ASTROFF. Hardly before next summer. Probably not this winter, though, of course, if anything should happen you will let me know. [He shakes hands with them] Thank you for your kindness, for your hospitality, for everything! [He goes up to MARINA and kisses her head] Good-bye, old nurse!

MARINA. Are you going without your tea?

ASTROFF. I don't want any, nurse.

MARINA. Won't you have a drop of vodka?

ASTROFF. [Hesitatingly] Yes, I might.

MARINA goes out.

ASTROFF. [After a pause] My off-wheeler has gone lame for some reason. I noticed it yesterday when Peter was taking him to water.

VOITSKI. You should have him re-shod.

ASTROFF. I shall have to go around by the blacksmith's on my way home. It can't be avoided. [He stands looking up at the map of Africa hanging on the wall] I suppose it is roasting hot in Africa now.

VOITSKI. Yes, I suppose it is.

MARINA comes back carrying a tray on which are a glass of vodka and a piece of bread.

MARINA. Help yourself.

ASTROFF drinks MARINA. To your good health! [She bows deeply] Eat your bread with it.

ASTROFF. No, I like it so. And now, good-bye. [To MARINA] You needn't come out to see me off, nurse.

He goes out. SONIA follows him with a candle to light him to the carriage. MARINA sits down in her armchair.

VOITSKI. [Writing] On the 2d of February, twenty pounds of butter; on the 16th, twenty pounds of butter again. Buckwheat flour--[A pause. Bells are heard tinkling.]

MARINA. He has gone. [A pause.]

SONIA comes in and sets the candle stick on the table.

SONIA. He has gone.

VOITSKI. [Adding and writing] Total, fifteen--twenty-five--SONIA sits down and begins to write.

[Yawning] Oh, ho! The Lord have mercy.

TELEGIN comes in on tiptoe, sits down near the door, and begins to tune his guitar.

VOITSKI. [To SONIA, stroking her hair] Oh, my child, I am miserable; if you only knew how miserable I am!

SONIA. What can we do? We must live our lives. [A pause] Yes, we shall live, Uncle Vanya. We shall live through the long procession of days before us, and through the long evenings; we shall patiently bear the trials that fate imposes on us; we shall work for others without rest, both now and when we are old; and when our last hour comes we shall meet it humbly, and there, beyond the grave, we shall say that we have suffered and wept, that our life was bitter, and God will have pity on us. Ah, then dear, dear Uncle, we shall see that bright and beautiful life; we shall rejoice and look back upon our sorrow here; a tender smile--and--we shall rest. I have faith, Uncle, fervent, passionate faith. [SONIA kneels down before her uncle and lays her head on his hands. She speaks in a weary voice] We shall rest. [TELEGIN plays softly on the guitar] We shall rest. We shall hear the angels. We shall see heaven shining like a jewel.

We shall see all evil and all our pain sink away in the great compassion that shall enfold the world. Our life will be as peaceful and tender and sweet as a caress. I have faith; I have faith. [She wipes away her tears] My poor, poor Uncle Vanya, you are crying! [Weeping] You have never known what happiness was, but wait, Uncle Vanya, wait! We shall rest. [She embraces him] We shall rest. [The WATCHMAN'S rattle is heard in the garden;TELEGIN plays softly; MME. VOITSKAYA writes something on the margin of her pamphlet; MARINA knits her stocking] We shall rest.

The curtain slowly falls.

同类推荐
  • 蜕庵集

    蜕庵集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 步里客谈

    步里客谈

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 西山许真君八十五化录

    西山许真君八十五化录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 胡文敬集

    胡文敬集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 日本国考略

    日本国考略

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 狼道:生活中的狼性法则

    狼道:生活中的狼性法则

    本书运用企业操作实例、生活中的小品和古今中外的一些故事,对“狼道”做出了形象而又深刻的描述。作者以“狼道”的强悍和智慧给企业管理、个人生活注入新的激素。这本书每一个企业的每一位员工应该拥有的,是每一位企业管理者应该研读的。它汇聚了三千年来以弱胜强的制胜之道,历代官宦秘而不宣的斗争艺术。因此,它也是每一位想以弱小的起点进入强者之林应该阅读的必备书籍。
  • 变身之我的长官是锐雯

    变身之我的长官是锐雯

    当我再次醒来,我穿越了。好吧,这是好事,但是我太天真了,被追杀?小事。被士兵俘虏?行吧。为了保命居然还和一个叫锐雯的先锋官签订了主仆契约?为什么我的穿越生活这么多灾多难!·····从此和锐雯一起征战,流浪,定居。直到那天,我封印在刀刃之内,被卷入了时空乱流。瓦罗兰文,轻幽默吧,虽然本人不是很幽默。最后,变身慎入吧。谢谢大家。
  • 诛天计划

    诛天计划

    在一个阴森、黑暗的隧道中,一列火车轧着铁轨穿行而过。一个小时后,一则震惊世间的离奇事件出现在各大媒体之中,包括旅行者4号列车以及乘客,全部诡异地消失在隧道之中。沉睡在列车里的辰枫醒来后发现,他来到了一个诡异未知的世界......
  • 逆苍荒

    逆苍荒

    纵武道逆天纵贵为天尊亦非不死苍天之下皆蝼蚁,荒蛮之上皆凡人一不处事事之人,一逍遥于天地之人。在一不小心之中被天劫所灭。无尽岁月后以一屡残魂转生于世本想在修武道却不想世界大变,凡尘复杂,苍荒阻道,被天地排斥。天若灭我,我必灭天。苍荒阻我,我逆苍荒。
  • tfboys十年陪你

    tfboys十年陪你

    三位女主遇到了tfboys,他们之间会擦出怎样的火苗呢?和我一起在这本书中找答案吧
  • 暮月物语

    暮月物语

    当血月出现的时候,就是新时代的来临。属于人类的旧时代即将过去,属于血族的新时代即将来临。为了生存,血猎们奋斗着。女巫预言的最后一丝希望就在圣学院之中,为了这一丝希望,他们不顾一切的去寻找……
  • 幸福继续

    幸福继续

    记忆在更新,岁月起伏。当我拾起昨天的残留,却亦物事人非。我在时间的缝隙里穿梭,指示针对着的不是我。听一首歌,想一段事。永远怀念,那用泪水浸泡过的别离,挥挥手,然后陌路。若,幸福可以下载,请继续……天,灰蒙蒙,是雾,还是雨?长长的队伍,静静的送别。一段路,一段情。七十二位高三的同学,胸配白花,走在队伍的最前头。是离别,还是别离……
  • 神元劫

    神元劫

    自创世元年以来,神元大陆经过了太多太多的事情。大陆的内战刚刚结束几十年,两次天变就彻底改变了大陆的格局。茫茫大海之外,是无尽的宝藏还是冰冷的死亡?大陆之上被称为死亡禁区的那一片地区,隐藏的是死神的使者还是命运的眷顾?广厦将倾,风雨飘摇的神元帝国,又能怎样守护最后的土地?主人公千年一遇的日月阴阳之体,又能不能阻止第三次天变的发生?祸兮,福之所倚。福兮,祸之所伏。当女主人公占星术大显神威的那一刻,就已经注定了天人永隔的结局。“不论是谁,敢伤她的人都要付出代价!天又怎么样?天变又怎么样?异族大能神界众神又能怎么样?哪怕为了她倾尽天下逆天而行,我也不后悔!”
  • 秋日题窦员外崇德里

    秋日题窦员外崇德里

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 萨加耶

    萨加耶

    萨加耶,这片被遗失的大陆将会迎来怎样的命运?