In the evening--none of the rest of us being keen to try our luck a second time--the Captain said, that just for the joke of the thing he would give Malooney eighty-five and play him a hundred up. To confess the truth, I find no particular fun myself in playing billiards with the Captain. The game consists, as far as I am concerned, in walking round the table, throwing him back the balls, and saying "Good!" By the time my turn comes I don't seem to care what happens: everything seems against me. He is a kind old gentleman and he means well, but the tone in which he says "Hard lines!" whenever I miss an easy stroke irritates me. I feel I'd like to throw the balls at his head and fling the table out of window. I suppose it is that I am in a fretful state of mind, but the mere way in which he chalks his cue aggravates me. He carries his own chalk in his waistcoat pocket--as if our chalk wasn't good enough for him--and when he has finished chalking, he smooths the tip round with his finger and thumb and taps the cue against the table. "Oh! go on with the game," I want to say to him; "don't be so full of tricks."
The Captain led off with a miss in baulk. Malooney gripped his cue, drew in a deep breath, and let fly. The result was ten: a cannon and all three balls in the same pocket. As a matter of fact he made the cannon twice; but the second time, as we explained to him, of course did not count.
"Good beginning!" said the Captain.
Malooney seemed pleased with himself, and took off his coat.
Malooney's ball missed the red on its first journey up the table by about a foot, but found it later on and sent it into a pocket.
"Ninety-nine plays nothing," said ****, who was marking. "Better make it a hundred and fifty, hadn't we, Captain?"
"Well, I'd like to get in a shot," said the Captain, "before the game is over. Perhaps we had better make it a hundred and fifty, if Mr. Malooney has no objection."
"Whatever you think right, sir," said Rory Malooney.
Malooney finished his break for twenty-two, leaving himself hanging over the middle pocket and the red tucked up in baulk.
"Nothing plays a hundred and eight," said ****.
"When I want the score," said the Captain, "I'll ask for it."
"Beg pardon, sir," said ****.
"I hate a noisy game," said the Captain.
The Captain, ****** up his mind without much waste of time, sent his ball under the cushion, six inches outside baulk.
"What will I do here?" asked Malooney.
"I don't know what you will do," said the Captain; "I'm waiting to see."
Owing to the position of the ball, Malooney was unable to employ his whole strength. All he did that turn was to pocket the Captain's ball and leave himself under the bottom cushion, four inches from the red. The Captain said a nautical word, and gave another miss.
Malooney squared up to the balls for the third time. They flew before him, panic-stricken. They banged against one another, came back and hit one another again for no reason whatever. The red, in particular, Malooney had succeeded apparently in frightening out of its wits. It is a stupid ball, generally speaking, our red--its one idea to get under a cushion and watch the game. With Malooney it soon found it was safe nowhere on the table. Its only hope was pockets. I may have been mistaken, my eye may have been deceived by the rapidity of the play, but it seemed to me that the red never waited to be hit. When it saw Malooney's ball coming for it at the rate of forty miles an hour, it just made for the nearest pocket. It rushed round the table looking for pockets. If in its excitement, it passed an empty pocket, it turned back and crawled in. There were times when in its terror it jumped the table and took shelter under the sofa or behind the sideboard. One began to feel sorry for the red.
The Captain had scored a legitimate thirty-eight, and Malooney had given him twenty-four, when it really seemed as if the Captain's chance had come. I could have scored myself as the balls were then.
"Sixty-two plays one hundred and twenty-eight. Now then, Captain, game in your hands," said ****.
We gathered round. The children left their play. It was a pretty picture: the bright young faces, eager with expectation, the old worn veteran squinting down his cue, as if afraid that watching Malooney's play might have given it the squirms.
"Now follow this," I whispered to Malooney. "Don't notice merely what he does, but try and understand why he does it. Any fool--after a little practice, that is--can hit a ball. But why do you hit it?
What happens after you've hit it? What--"
"Hush," said ****.
The Captain drew his cue back and gently pushed it forward.
"Pretty stroke," I whispered to Malooney; "now, that's the sort--"
I offer, by way of explanation, that the Captain by this time was probably too full of bottled-up language to be master of his nerves.
The ball travelled slowly past the red. **** said afterwards that you couldn't have put so much as a sheet of paper between them. It comforts a man, sometimes, when you tell him this; and at other times it only makes him madder. It travelled on and passed the white--you could have put quite a lot of paper between it and the white--and dropped with a contented thud into the top left-hand pocket.
"Why does he do that?" Malooney whispered. Malooney has a singularly hearty whisper.
**** and I got the women and children out of the room as quickly as we could, but of course Veronica managed to tumble over something on the way--Veronica would find something to tumble over in the desert of Sahara; and a few days later I overheard expressions, scorching their way through the nursery door, that made my hair rise up. I entered, and found Veronica standing on the table. Jumbo was sitting upon the music-stool. The poor dog himself was looking scared, though he must have heard a bit of language in his time, one way and another.
"Veronica," I said, "are you not ashamed of yourself? You wicked child, how dare you--"
"It's all right," said Veronica. "I don't really mean any harm.
He's a sailor, and I have to talk to him like that, else he don't know he's being talked to."
