Leaving the Andaman islanders, but still studying races in the lowest degree of civilisation, we come to the Bushmen of South Africa. This very curious and interesting people, far inferior in material equipment to the Hottentots, is sometimes regarded as a branch of that race. The Hottentots call themselves "Khoi-khoi," the Bushmen they style "Sa". The poor Sa lead the life of pariahs, and are hated and chased by all other natives of South Africa. They are hunters and diggers for roots, while the Hottentots, perhaps their kinsmen, are cattle-breeders. Being so ill-nourished, the Bushmen are very small, but sturdy. They dwell in, or rather wander through, countries which have been touched by some ancient civilisation, as is proved by the mysterious mines and roads of Mashonaland. It is singular that the Bushmen possess a tradition according to which they could once "make stone things that flew over rivers". They have remarkable artistic powers, and their drawings of men and animals on the walls of caves are often not inferior to the designs on early Greek vases.
See "Divine Myths of the Lower Races".
Hahu, Tsuni Goam, p. 4. See other accounts in Waitz, Anthropologie, ii. 328.
Custom and Myth, where illustrations of Bushman art are given, pp. 290-295.
Thus we must regard the Bushmen as possibly degenerated from a higher status, though there is nothing (except perhaps the tradition about bridge-******) to show that it was more exalted than that of their more prosperous neighbours, the Hottentots. The myths of the Bushmen, however, are almost on the lowest known level. A very good and authentic example of Bushman cosmogonic myth was given to Mr. Orpen, chief magistrate of St. John's territory, by Qing, King Nqusha's huntsman. Qing "had never seen a white man, but in fighting," till he became acquainted with Mr.
Orpen. The chief force in Bushmen myth is by Dr. Bleek identified with the mantis, a sort of large grasshopper. Though he seems at least as "chimerical a beast" as the Aryan creative boar, the "mighty big hare" of the Algonkins, the large spider who made the world in the opinion of the Gold Coast people, or the eagle of the Australians, yet the insect (if insect he be), like the others, has achieved moral qualities and is addressed in prayer. In his religious aspect he is nothing less than a grasshopper. He is called Cagn. "Cagn made all things and we pray to him," said Qing.
"Coti is the wife of Cagn." Qing did not know where they came from; "perhaps with the men who brought the sun". The fact is, Qing "did not dance that dance," that is, was not one of the Bushmen initiated into the more esoteric mysteries of Cagn. Till we, too, are initiated, we can know very little of Cagn in his religious aspect. Among the Bushmen, as among the Greeks, there is "no religious mystery without dancing". Qing was not very consistent. He said Cagn gave orders and caused all things to appear and to be made, sun, moon, stars, wind, mountains, animals, and this, of course, is a lofty theory of creation. Elsewhere myth avers that Cagn did not so much create as manufacture the objects in nature. In his early day "the snakes were also men". Cagn struck snakes with his staff and turned them into men, as Zeus, in the Aeginetan myth, did with ants. He also turned offending men into baboons. In Bushman myth, little as we really know of it, we see the usual opposition of fable and faith, a kind creator in religion is apparently a magician in myth.
Cape Monthly Magazine, July, 1874.
Neighbours of the Bushmen, but more fortunate in their wealth of sheep and cattle, are the Ovaherero. The myths of the Ovaherero, a tribe dwelling in a part of Hereraland "which had not yet been under the influence of civilisation and Christianity," have been studied by the Rev. H. Reiderbecke, missionary at Otyozondyupa.
The Ovaherero, he says, have a kind of tree Ygdrasil, a tree out of which men are born, and this plays a great part in their myth of creation. The tree, which still exists, though at a great age, is called the Omumborombonga tree. Out of it came, in the beginning, the first man and woman. Oxen stepped forth from it too, but baboons, as Caliban says of the stars, "came otherwise," and sheep and goats sprang from a flat rock. Black people are so coloured, according to the Ovaherero, because when the first parents emerged from the tree and slew an ox, the ancestress of the blacks appropriated the black liver of the victim. The Ovakuru Meyuru or "OLD ONES in heaven," once let the skies down with a run, but drew them up again (as the gods of the Satapatha Brahmana drew the sun)when most of mankind had been drowned. The remnant pacified the OLD ONES (as Odysseus did the spirits of the dead) by the sacrifice of a BLACK ewe, a practice still used to appease ghosts by the Ovaherero. The neighbouring Omnambo ascribe the creation of man to Kalunga, who came out of the earth, and made the first three sheep.
An example of a Deluge myth in Africa, where M. Lenormant found none.
South African Folk-Lore Journal, ii. pt. v. p. 95.
Among the Namaquas, an African people on the same level of nomadic culture as the Ovaherero, a divine or heroic early being called Heitsi Eibib had a good deal to do with the origin of things. If he did not exactly make the animals, he impressed on them their characters, and their habits (like those of the serpent in Genesis)are said to have been conferred by a curse, the curse of Heitsi Eibib. A precisely similar notion was found by Avila among the Indians of Huarochiri, whose divine culture-hero imposed, by a curse or a blessing, their character and habits on the beasts.
