ALLAN AS A LANDED GENTLEMAN.
EARLY on the morning after his first night's rest at Thorpe Ambrose, Allan rose and surveyed the prospect from his bedroom window, lost in the dense mental bewilderment of feeling himself to be a stranger in his own house.
The bedroom looked out over the great front door, with its portico, its terrace and flight of steps beyond, and, further still, the broad sweep of the well-timbered park to close the view. The morning mist nestled lightly about the distant trees;and the cows were feeding sociably, close to the iron fence which railed off the park from the drive in front of the house. "All mine!" thought Allan, staring in blank amazement at the prospect of his own possessions. "Hang me if I can beat it into my head yet. All mine!"He dressed, left his room, and walked along the corridor which led to the staircase and hall, opening the doors in succession as he passed them.
The rooms in this part of the house were bedrooms and dressing-rooms, light, spacious, perfectly furnished; and all empty, except the one bed-chamber next to Allan's, which had been appropriated to Midwinter. He was still sleeping when his friend looked in on him, having sat late into the night writing his letter to Mr. Brock. Allan went on to the end of the first corridor, turned at right angles into a second, and, that passed, gained the head of the great staircase. "No romance here," he said to himself, looking down the handsomely carpeted stone stairs into the bright modern hall. "Nothing to startle Midwinter's fidgety nerves in this house." There was nothing, indeed; Allan's essentially superficial observation had not misled him for once. The mansion of Thorpe Ambrose (built after the pulling down of the dilapidated old manor-house) was barely fifty years old. Nothing picturesque, nothing in the slightest degree suggestive of mystery and romance, appeared in any part of it. It was a purely conventional country house--the product of the classical idea filtered judiciously through the commercial English mind. Viewed on the outer side, it presented the spectacle of a modern manufactory trying to look like an ancient temple. Viewed on the inner side, it was a marvel of luxurious comfort in every part of it, from basement to roof. "And quite right, too," thought Allan, sauntering contentedly down the broad, gently graduated stairs. "Deuce take all mystery and romance! Let's be clean and comfortable, that's what I say."Arrived in the hall, the new master of Thorpe Ambrose hesitated, and looked about him, uncertain which way to turn next.
The four reception-rooms on the ground-floor opened into the hall, two on either side. Allan tried the nearest door on his right hand at a venture, and found himself in the drawing-room.
Here the first sign of life appeared, under life's most attractive form. A young girl was in solitary possession of the drawing-room. The duster in her hand appeared to associate her with the domestic duties of the house; but at that particular moment she was occupied in asserting the rights of nature over the obligations of service. In other words, she was attentively contemplating her own face in the glass over the mantelpiece.
"There! there! don't let me frighten you," said Allan, as the girl started away from the glass, and stared at him in unutterable confusion. "I quite agree with you, my dear; your face is well worth looking at. Who are you? Oh, the housemaid.
And what's your name? Susan, eh? Come! I like your name, to begin with. Do you know who I am, Susan? I'm your master, though you may not think it. Your character? Oh, yes! Mrs. Blanchard gave you a capital character. You shall stop here; don't be afraid.
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"And who may you be?" asked Allan. "Not the man who let us in last night? Ah, I thought not. The second footman, eh? Character?
Oh, yes; capital character. Stop here, of course. You can valet me, can you? Bother valeting me! I like to put on my own clothes, and brush them, too, when they _are_ on; and, if I only knew how to black my own boots, by George, I should like to do it! What room's this? Morning-room, eh? And here's the dining-room, of course. Good heavens, what a table! it's as long as my yacht, and longer. I say, by-the-by, what's your name? Richard, is it? Well, Richard, the vessel I sail in is a vessel of my own building?
What do you think of that? You look to me just the right sort of man to be my steward on board. If you're not sick at sea--oh, you _are_ sick at sea? Well, then, we'll say nothing more about it.
And what room is this? Ah, yes; the library, of course--more in Mr. Midwinter's way than mine. Mr. Midwinter is the gentleman who came here with me last night; and mind this, Richard, you're al l to show him as much attention as you show me. Where are we now?
What's this door at the back? Billiard-room and smoking-room, eh?
Jolly. Another door! and more stairs! Where do they go to? and who's this coming up? Take your time, ma'am; you're not quite so young as you were once--take your time."The object of Allan's humane caution was a corpulent elderly woman of the type called "motherly." Fourteen stairs were all that separated her from the master of the house; she ascended them with fourteen stoppages and fourteen sighs. Nature, various in all things, is infinitely various in the female ***. There are some women whose personal qualities reveal the Loves and the Graces; and there are other women whose personal qualities suggest the Perquisites and the Grease Pot. This was one of the other women.
"Glad to see you looking so well, ma'am," said Allan, when the cook, in the majesty of her office, stood proclaimed before him.
"Your name is Gripper, is it? I consider you, Mrs. Gripper, the most valuable person in the house. For this reason, that nobody in the house eats a heartier dinner every day than I do.
Directions? Oh, no; I've no directions to give. I leave all that to you. Lots of strong soup, and joints done with the gravy in them--there's my notion of good feeding, in two words. Steady!
