He read the names of the novels on the book-stall, and bought one at last, to avoid being regarded with suspicion by the book-stall clerk.
It was called "The Heart of the Trail!" which must mean something, though it did not seem to. He also bought "The Lady's Mirror" and "The Landsman." Every minute was an hour long, and full of horrid imaginings. After nineteen had passed, he saw her with a bag and a porter wheeling her luggage. She came swiftly; she came cool. She greeted him as if he were a brother.
"First class," she said to the porter, "corner seats; opposite."Jon admired her frightful self-possession.
"Can't we get a carriage to ourselves," he whispered.
"No good; it's a stopping train. After Maidenhead perhaps. Look natural, Jon."Jon screwed his features into a scowl. They got in--with two other beasts!--oh! heaven! He tipped the porter unnaturally, in his confusion. The brute deserved nothing for putting them in there, and looking as if he knew all about it into the bargain.
Fleur hid herself behind "The Lady's Mirror." Jon imitated her behind "The Landsman." The train started. Fleur let "The Lady's Mirror" fall and leaned forward.
"Well?" she said.
"It's seemed about fifteen days."
She nodded, and Jon's face lighted up at once.
"Look natural," murmured Fleur, and went off into a bubble of laughter. It hurt him. How could he look natural with Italy hanging over him? He had meant to break it to her gently, but now he blurted it out.
"They want me to go to Italy with Mother for two months."Fleur drooped her eyelids; turned a little pale, and bit her lips.
"Oh!" she said. It was all, but it was much.
That "Oh!" was like the quick drawback of the wrist in fencing ready for riposte. It came.
"You must go!"
"Go?" said Jon in a strangled voice.
"Of course."
"But--two months--it's ghastly."
"No," said Fleur, "six weeks. You'll have forgotten me by then.
We'll meet in the National Gallery the day after you get back."Jon laughed.
"But suppose you've forgotten me," he muttered into the noise of the train.
Fleur shook her head.
"Some other beast--" murmured Jon.
Her foot touched his.
"No other beast," she said, lifting "The Lady's Mirror."The train stopped; two passengers got out, and one got in.
'I shall die,' thought Jon, 'if we're not alone at all.'
The train went on; and again Fleur leaned forward.
"I never let go," she said; "do you?"
Jon shook his head vehemently.
"Never!" he said. "Will you write to me?""No; but you can--to my Club."She had a Club; she was wonderful!
"Did you pump Holly?" he muttered.
"Yes, but I got nothing. I didn't dare pump hard.""What can it be?" cried Jon.
"I shall find out all right."
A long silence followed till Fleur said: "This is Maidenhead; stand by, Jon!"The train stopped. The remaining passenger got out. Fleur drew down her blind.
"Quick!" she cried. "Hang out! Look as much of a beast as you can."Jon blew his nose, and scowled; never in all his life had he scowled like that! An old lady recoiled, a young one tried the handle. It turned, but the door would not open. The train moved, the young lady darted to another carriage.
"What luck!" cried Jon. "It Jammed."
"Yes," said Fleur; "I was holding it."
The train moved out, and Jon fell on his knees.
"Look out for the corridor," she whispered; "and--quick!"Her lips met his. And though their kiss only lasted perhaps ten seconds, Jon's soul left his body and went so far beyond, that, when he was again sitting opposite that demure figure, he was pale as death. He heard her sigh, and the sound seemed to him the most precious he had ever heard--an exquisite declaration that he meant something to her.
"Six weeks isn't really long," she said; "and you can easily make it six if you keep your head out there, and never seem to think of me."Jon gasped.
"This is just what's really wanted, Jon, to convince them, don't you see? If we're just as bad when you come back they'll stop being ridiculous about it. Only, I'm sorry it's not Spain; there's a girl in a Goya picture at Madrid who's like me, Father says. Only she isn't--we've got a copy of her."It was to Jon like a ray of sunshine piercing through a fog. "I'll make it Spain," he said, "Mother won't mind; she's never been there.
And my Father thinks a lot of Goya."
"Oh! yes, he's a painter--isn't he?"
"Only water-colour," said Jon, with honesty.
"When we come to Reading, Jon, get out first and go down to Caversham lock and wait for me. I'll send the car home and we'll walk by the towing-path."Jon seized her hand in gratitude, and they sat silent, with the world well lost, and one eye on the corridor. But the train seemed to run twice as fast now, and its sound was almost lost in that of Jon's sighing.
"We're getting near," said Fleur; "the towing-path's awfully exposed.
One more! Oh! Jon, don't forget me."
Jon answered with his kiss. And very soon, a flushed, distracted-looking youth could have been seen--as they say--leaping from the train and hurrying along the platform, searching his pockets for his ticket.
When at last she rejoined him on the towing-path a little beyond Caversham lock he had made an effort, and regained some measure of equanimity. If they had to part, he would not make a scene! Abreeze by the bright river threw the white side of the willow leaves up into the sunlight, and followed those two with its faint rustle.
"I told our chauffeur that I was train-giddy," said Fleur. "Did you look pretty natural as you went out?""I don't know. What is natural?""It's natural to you to look seriously happy. When I first saw you Ithought you weren't a bit like other people.""Exactly what I thought when I saw you. I knew at once I should never love anybody else."Fleur laughed.
"We're absurdly young. And love's young dream is out of date, Jon.
Besides, it's awfully wasteful. Think of all the fun you might have.
You haven't begun, even; it's a shame, really. And there's me. Iwonder!"Confusion came on Jon's spirit. How could she say such things just as they were going to part?
