After that, she went to her room and sat down before her three-leaved mirror. There was where she nearly always sat when she came into her room, if she had nothing in mind to do. She went to that chair as naturally as a dog goes to his corner.
She leaned forward, observing her profile; gravity seemed to be her mood. But after a long, almost motionless scrutiny, she began to produce dramatic sketches upon that ever-ready stage, her countenance: she showed gaiety, satire, doubt, gentleness, appreciation of a companion and love-in-hiding-- all studied in profile first, then repeated for a "three- quarter view."Subsequently she ran through them, facing herself in full.
In this manner she outlined a playful scenario for her next interview with Arthur Russell; but grew solemn again, thinking of the impression she had already sought to give him. She had no twinges for any underminings of her "most intimate friend"--in fact, she felt that her work on a new portrait of Mildred for Mr.
Russell had been honest and accurate. But why had it been her instinct to show him an Alice Adams who didn't exist?
Almost everything she had said to him was upon spontaneous impulse, springing to her lips on the instant; yet it all seemed to have been founded upon a careful design, as if some hidden self kept such designs in stock and handed them up to her, ready-made, to be used for its own purpose. What appeared to be the desired result was a false-coloured image in Russell's mind;but if he liked that image he wouldn't be liking Alice Adams; nor would anything he thought about the image be a thought about her.
Nevertheless, she knew she would go on with her false, fancy colourings of this nothing as soon as she saw him again; she had just been practicing them. "What's the idea?" she wondered.
"What makes me tell such lies? Why shouldn't I be just myself?"And then she thought, "But which one is myself?"Her eyes dwelt on the solemn eyes in the mirror; and her lips, disquieted by a deepening wonder, parted to whisper:
"Who in the world are you?"
The apparition before her had obeyed her like an alert slave, but now, as she subsided to a complete stillness, that aspect changed to the old mockery with which mirrors avenge their wrongs. The nucleus of some queer thing seemed to gather and shape itself behind the nothingness of the reflected eyes until it became almost an actual strange presence. If it could be identified, perhaps the presence was that of the hidden designer who handed up the false, ready-made pictures, and, for unknown purposes, made Alice exhibit them; but whatever it was, she suddenly found it monkey- like and terrifying. In a flutter she jumped up and went to another part of the room.
A moment or two later she was whistling softly as she hung her light coat over a wooden ******** in her closet, and her musing now was quainter than the experience that led to it; for what she thought was this, "I certainly am a queer girl!" She took a little pride in so much originality, believing herself probably the only person in the world to have such thoughts as had been hers since she entered the room, and the first to be disturbed by a strange presence in the mirror. In fact, the effect of the tiny episode became apparent in that look of preoccupied complacency to be seen for a time upon any girl who has found reason to suspect that she is a being without counterpart.
This slight glow, still faintly radiant, was observed across the dinner-table by Walter, but he misinterpreted it. "What YOUlookin' so self-satisfied about?" he inquired, and added in his knowing way, "I saw you, all right, cutie!""Where'd you see me?"
"Down-town."
"This afternoon, you mean, Walter?"
"Yes, 'this afternoon, I mean, Walter,' " he returned, burlesquing her voice at least happily enough to please himself;for he laughed applausively. "Oh, you never saw me! I passed you close enough to pull a tooth, but you were awful busy. Inever did see anybody as busy as you get, Alice, when you're towin' a barge. My, but you keep your hands goin'! Looked like the air was full of 'em! That's why I'm onto why you look so tickled this evening; I saw you with that big fish."Mrs. Adams laughed benevolently; she was not displeased with this rallying. "Well, what of it, Walter?" she asked. "If you happen to see your sister on the street when some nice young man is being attentive to her----"Walter barked and then cackled. "Whoa, Sal!" he said. "You got the parts mixed. It's little Alice that was 'being attentive.' Iknow the big fish she was attentive to, all right, too.""Yes," his sister retorted, quietly. "I should think you might have recognized him, Walter."Walter looked annoyed. "Still harpin' on THAT!" he complained.
"The kind of women I like, if they get sore they just hit you somewhere on the face and then they're through. By the way, Iheard this Russell was supposed to be your dear, old, sweet friend Mildred's steady. What you doin' walkin' as close to him as all that?"Mrs. Adams addressed her son in gentle reproof, "Why Walter!""Oh, never mind, mama," Alice said. "To the horrid all things are horrid.""Get out!" Walter protested, carelessly. "I heard all about this Russell down at the shop. Young Joe Lamb's such a talker Iwonder he don't ruin his grandfather's business; he keeps all us cheap help standin' round listening to him nine-tenths of our time. Well, Joe told me this Russell's some kin or other to the Palmer family, and he's got some little money of his own, and he's puttin' it into ole Palmer's trust company and Palmer's goin' to make him a vice-president of the company. Sort of a keep- the-money-in-the-family arrangement, Joe Lamb says."Mrs. Adams looked thoughtful. "I don't see----" she began.
