"I don't know. I hate him. I've heard him lecture on Giotto. Ihate him. Nothing can hide a petty nature. I HATE him.""My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen."He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth.
Nature--******st of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs.
Honeychurch's mouth twitched when he spoke of the perpetual green of the larch.
"I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions.
Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs.
Honeychurch?"
Mrs. Honeychurch started and smiled. She had not been attending.
Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again.
Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood.
"'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own.
She flushed again and said: "What height?""'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang).
In height and in the splendour of the hills?'
Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?""Summer Street, of course," said Lucy, and roused herself.
The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively ******, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil.
"Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. "Cissie"was to let. Three notice-boards, belonging to Dorking agents, lolled on her fence and announced the not surprising fact. Her paths were already weedy; her pocket-handkerchief of a lawn was yellow with dandelions.
"The place is ruined!" said the ladies mechanically. "Summer Street will never be the same again."As the carriage passed, "Cissie's" door opened, and a gentleman came out of her.
"Stop!" cried Mrs. Honeychurch, touching the coachman with her parasol. "Here's Sir Harry. Now we shall know. Sir Harry, pull those things down at once!"Sir Harry Otway--who need not be described--came to the carriage and said "Mrs. Honeychurch, I meant to. I can't, I really can't turn out Miss Flack.""Am I not always right? She ought to have gone before the contract was signed. Does she still live rent free, as she did in her nephew's time?""But what can I do?" He lowered his voice. "An old lady, so very vulgar, and almost bedridden.""Turn her out," said Cecil bravely.
Sir Harry sighed, and looked at the villas mournfully. He had had full warning of Mr. Flack's intentions, and might have bought the plot before building commenced: but he was apathetic and dilatory. He had known Summer Street for so many years that he could not imagine it being spoilt. Not till Mrs. Flack had laid the foundation stone, and the apparition of red and cream brick began to rise did he take alarm. He called on Mr. Flack, the local builder,--a most reasonable and respectful man--who agreed that tiles would have made more artistic roof, but pointed out that slates were cheaper. He ventured to differ, however, about the Corinthian columns which were to cling like leeches to the frames of the bow windows, saying that, for his part, he liked to relieve the facade by a bit of decoration. Sir Harry hinted that a column, if possible, should be structural as well as decorative.
Mr. Flack replied that all the columns had been ordered, adding, "and all the capitals different--one with dragons in the foliage, another approaching to the Ionian style, another introducing Mrs.
