It is a place of fearful aspect. As soon as one enters one is seized by the sense of a mournfulness beyond words, by an oppression as of something too heavy, too crushing, almost superhuman. The impotent little flames of the candles, placed in a row, in groups of fifty, on tripods of wood from one end of the route to the other, show on the right and left of the immense avenue rectangular sepulchral caverns, containing each a black coffin, but a coffin as if for a mastodon. And all these coffins, so sombre and so alike, are square shaped too, severely ****** like so many boxes; but made out of a single block of rare granite that gleams like marble. They are entirely without ornament. It is necessary to look closely to distinguish on the smooth walls the hieroglyphic inscriptions, the rows of little figures, little owls, little jackals, that tell in a lost language the history of ancient peoples. Here is the signature of King Amasis; beyond, that of King Cambyses. . . . Who were the Titans who, century after century, were able to hew these coffins (they are at least twelve feet long by ten feet high), and, having hewn them, to carry them underground (they weigh on an average between sixty and seventy tons), and finally to range them in rows here in these strange chambers, where they stand as if in ambuscade on either side of us as we pass?
Each in its turn has contained quite comfortably the mummy of a bull Apis, armoured in plates of gold. But in spite of their weight, in spite of their solidity which effectively defies destruction, they have been despoiled[*]--when is not precisely known, probably by the soldiers of the King of Persia. And this notwithstanding that merely to open them represents a labour of astonishing strength and patience.
In some cases the thieves have succeeded, by the aid of levers, in moving a few inches the formidable lid; in others, by persevering with blows of pickaxes, they have pierced, in the thickness of the granite, a hole through which a man has been enabled to crawl like a rat, or a worm, and then, groping his way, to plunder the sacred mummy.
[*] One, however, remains intact in the walled cavern, and thus preserves for us the only Apis which has come down to our days.
And one recalls the emotion of Mariette, when, on entering it, he saw on the sandy ground the imprint of the naked feet of the last Egyptian who left it thirty-seven centuries before.
What strikes us most of all in the colossal hypogeum is the meeting there, in the middle of the stairway by which we leave, with yet another black coffin, which lies across our path as if to bar it. It is as monstrous and as ****** as the others, its seniors, which many centuries before, as the deified bulls died, had commenced to line the great straight thoroughfare. But this one has never reached its place and never held its mummy. It was the last. Even while men were slowly rolling it, with tense muscles and panting cries, towards what might well have seemed its eternal chamber, others gods were born, and the cult of the Apis had come to an end--suddenly, then and there! Such a fate may happen indeed to each and all of the religions and institutions of men, even to those most deeply rooted in their hearts and their ancestral past. . . . That perhaps is the most disturbing of all our positive notions: to know that there will be a /last/ of all things, not only a last temple, and a last priest, but a last birth of a human child, a last sunrise, a last day. . . .
*****
In these hot catacombs we had forgotten the cold wind that blew outside, and the physiognomy of the Memphite desert, the aspects of horror that were awaiting us above had vanished from our mind.
Sinister as it is under a blue sky, this desert becomes absolutely intolerable to look upon if by chance the sky is cloudy when the daylight fails.
On our return to it, from the subterranean darkness, everything in its dead immensity has begun to take on the blue tint of the night. On the top of the sandhills, of which the yellow colour has greatly paled since we went below, the wind amuses itself by raising little vortices of sand that imitate the spray of an angry sea. On all sides dark clouds stretch themselves as at the moment of our descent. The horizon detaches itself more and more clearly from them, and, farther towards the east, it actually seems to be tilted up; one of the highest of the waves of this waterless sea, a mountain of sand whose soft contours are deceptive in the distance, makes it look as if it sloped towards us, so as almost to produce a sensation of vertigo. The sun itself has deigned to remain on the scene a few seconds longer, held beyond its time by the effect of mirage; but it is so changed behind its thick veils that we would prefer that it should not be there. Of the colour of dying embers, it seems too near and too large; it has ceased to give any light, and is become a mere rose-coloured globe, that is losing its shape and becoming oval. No longer in the free heavens, but stranded there on the extreme edge of the desert, it watches the scene like a large dull eye, about to close itself in death. And the mysterious superhuman triangles, they too, of course, are there, waiting for us on our return from underground, some near, some far, posted in their eternal places; but surely they have grown gradually more blue. . . .
Such a night, in such a place, it seems the /last/ night.
