登陆注册
26211200000006

第6章

We have now explained what colour is, and the reason why there are many colours; while before, in our work On the Soul, we explained the nature of sound and voice. We have next to speak of Odour and Savour, both of which are almost the same physical affection, although they each have their being in different things. Savours, as a class, display their nature more clearly to us than Odours, the cause of which is that the olfactory sense of man is inferior in acuteness to that of the lower animals, and is, when compared with our other senses, the least perfect of Man's sense of Touch, on the contrary, excels that of all other animals in fineness, and Taste is a modification of Touch.

Now the natural substance water per se tends to be tasteless. But [since without water tasting is impossible] either (a) we must suppose that water contains in itself [uniformly diffused through it] the various kinds of savour, already formed, though in amounts so small as to be imperceptible, which is the doctrine of Empedocles; or (b) the water must be a sort of matter, qualified, as it were, to produce germs of savours of all kinds, so that all kinds of savour are generated from the water, though different kinds from its different parts, or else (c) the water is in itself quite undifferentiated in respect of savour [whether developed or undeveloped], but some agent, such for example as one might conceive Heat or the Sun to be, is the efficient cause of savour.

(a) Of these three hypotheses, the falsity of that held by Empedocles is only too evident. For we see that when pericarpal fruits are plucked [from the tree] and exposed in the sun, or subjected to the action of fire, their sapid juices are changed by the heat, which shows that their qualities are not due to their drawing anything from the water in the ground, but to a change which they undergo within the pericarp itself; and we see, moreover, that these juices, when extracted and allowed to lie, instead of sweet become by lapse of time harsh or bitter, or acquire savours of any and every sort; and that, again, by the process of boiling or fermentation they are made to assume almost all kinds of new savours.

(b) It is likewise impossible that water should be a material qualified to generate all kinds of Savour germs [so that different savours should arise out of different parts of the water]; for we see different kinds of taste generated from the same water, having it as their nutriment.

(C) It remains, therefore, to suppose that the water is changed by passively receiving some affection from an external agent. Now, it is manifest that water does not contract the quality of sapidity from the agency of Heat alone. For water is of all liquids the thinnest, thinner even than oil itself, though oil, owing to its viscosity, is more ductile than water, the latter being uncohesive in its particles; whence water is more difficult than oil to hold in the hand without spilling. But since perfectly pure water does not, when subjected to the action of Heat, show any tendency to acquire consistency, we must infer that some other agency than heat is the cause of sapidity. For all savours [i.e. sapid liquors] exhibit a comparative consistency. Heat is, however, a coagent in the matter.

Now the sapid juices found in pericarpal fruits evidently exist also in the earth. Hence many of the old natural philosophers assert that water has qualities like those of the earth through which it flows, a fact especially manifest in the case of saline springs, for salt is a form of earth. Hence also when liquids are filtered through ashes, a bitter substance, the taste they yield is bitter. There are many wells, too, of which some are bitter, others acid, while others exhibit other tastes of all kinds.

As was to be anticipated, therefore, it is in the vegetable kingdom that tastes occur in richest variety. For, like all things else, the Moist, by nature's law, is affected only by its contrary;and this contrary is the Dry. Thus we see why the Moist is affected by Fire, which as a natural substance, is dry. Heat is, however, the essential property of Fire, as Dryness is of Earth, according to what has been said in our treatise on the elements. Fire and Earth, therefore, taken absolutely as such, have no natural power to affect, or be affected by, one another; nor have any other pair of substances. Any two things can affect, or be affected by, one another only so far as contrariety to the other resides in either of them.

As, therefore, persons washing Colours or Savours in a liquid cause the water in which they wash to acquire such a quality [as that of the colour or savour], so nature, too, by washing the Dry and Earthy in the Moist, and by filtering the latter, that is, moving it on by the agency of heat through the dry and earthy, imparts to it a certain quality. This affection, wrought by the aforesaid Dry in the Moist, capable of transforming the sense of Taste from potentiality to actuality, is Savour. Savour brings into actual exercise the perceptive faculty which pre-existed only in potency. The activity of sense-perception in general is analogous, not to the process of acquiring knowledge, but to that of exercising knowledge already acquired.

同类推荐
  • 百字碑

    百字碑

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 赴冯翊作

    赴冯翊作

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 台宗十类因革论

    台宗十类因革论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 佛说呵雕阿那含经

    佛说呵雕阿那含经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 佛阿毗昙经

    佛阿毗昙经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 史记(第三卷)

    史记(第三卷)

    《史记》是中国历史上第一部纪传体通史,最初称为《太史公书》,或《太史公记》、《太史记》。其不但规模巨大,体系完备,而且对此后的纪传体史书影响很深,历朝正史皆采用这种体裁撰写。同时,书中的文字生动性,叙事的形象性也是成就最高的。鲁迅先生在他的《汉文学史纲要》一书中称赞《史记》是“史家之绝唱,无韵之《离骚》”,本书选取其精彩篇章予以诠释叙述。
  • 妖女不妖不倾城

    妖女不妖不倾城

    妖怪,哪里跑?!错了错了,是“妖女哪里跑!”啥?妖女?不不不,我怎么会喜欢上妖女呢?你怎么就不会喜欢上妖女呢?你要是不喜欢我,我就......你就怎么样?我就吃了你!嘶~++++++++这是一个妖女的故事,这是一个传奇的故事,这是一个关于妖的故事。好吧说明了就是一个网游加欢喜冤家的故事。。。
  • 超神传记

    超神传记

    一个平凡的大学生,生活中的大部分时间都用来打dota,一次偶然的事故,把他带进了真实的dota世界里,一场刺激的冒险就这样开始了。
  • 火影之男人浪漫

    火影之男人浪漫

    重生鸣人,改写历史,来自奇异世界单身多年的魔法师,在这热血沸腾的大时代下,谱写出跨时代的篇章。“我们的目标是......”望着身边的雏田跟佐助,鸣人生生咽下了并未说完的话语。......作为一名老魔法师,鸣人对于异性恋的态度十分复杂,哎,说多了都是泪。什么?你说他身后跟了一位小萝莉?......是么,你看错了吧。萝莉育成计划什么的,根本就不靠谱!鸣人可是在新时代下茁壮成长的好少年,噫,怎么可能会做出这种事情来,少年,你的想法很危险~
  • 无法之境

    无法之境

    “这么倒霉,我死定了,什么?有人来救我了?这不是电视剧的情节吗?老爹!?你这么厉害我妈知道吗?”腹黑少年偶然被修炼界炼药风潮选为原材料,绝望之际却发现父亲居然是个深藏不漏的绝世高手!你以为主角光环只有这点程度?且看小小少年如何凭借过人的“智慧”配合无处不在的“巧合”,开辟无法之境,走向人生巅峰……
  • 系三生

    系三生

    初见刹那,惊落芳华,一眼,便已注定了世世生生的纠葛。"信义绝,干肠断,这残生再不要为一个人活……"这一世,她以身祭了天地,魂飞魄散。他们都唤我魅姬,因为我没有姓,即使我是那个人的女儿,那个,魔界最尊贵的王。"为何不来……我已经……等不了了……"这一生,无望崖畔,一袭红衣,一把骨琴,她遗世独立,跳得决绝。夜漓:“什么叫命定!她就是我的命,天若要她亡,那便是逆了这天又如何!””我会找到你的,哪怕轮回千万,等我。“一世为神一世为魔,当重叠的记忆被开启,情系三生,他能否重新护住她!
  • 无情帝少:夫人,快回来!

    无情帝少:夫人,快回来!

    她,生于光明,却被黑暗吞噬。他,生于黑暗,却被光明吸引。因一场阴谋,他与她纠缠在一起,遍体鳞伤。然而当阴谋变得支离破碎,过往的真相浮出水面,她已决意离开。再次见面,她待他如陌生人。再次见面,他对她似手中宝。精简版:这就是两个人纠缠不休,她带球跑,他在后追的故事。她说:“将一切恩怨情仇斩断你我再无瓜葛。”他说:“女人,这辈子你都只能是我的。”男女主身心纯洁,绝对1∨1。
  • 茶还未凉,你人能走多远

    茶还未凉,你人能走多远

    北宋年间,辽国侵略不断,西夏虎视耽耽,女真人于黑山白水间横空杀出。在汴梁偏安一隅之地,我只想握你的手,逃离这盛世繁华,不管这天下乱世。寻一处世外桃源,过布衣粗茶的生活。
  • 碧云騢

    碧云騢

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • Arms and the Man

    Arms and the Man

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。