His personal feelings had not been outraged, and it is difficult to resent with proper and durable indignation the physical or mental anguish of another organism, even if that other organism is one's own father. By the time he was twenty Charles Gould had, in his turn, fallen under the spell of the San Tome mine. But it was another form of enchantment, more suitable to his youth, into whose magic formula there entered hope, vigour, and self-confidence, instead of weary indignation and despair. Left after he was twenty to his own guidance (except for the severe injunction not to return to Costaguana), he had pursued his studies in Belgium and France with the idea of qualifying for a mining engineer. But this scientific aspect of his labours remained vague and imperfect in his mind. Mines had acquired for him a dramatic interest. He studied their peculiarities from a personal point of view, too, as one would study the varied characters of men. He visited them as one goes with curiosity to call upon remarkable persons. He visited mines in Germany, in Spain, in Cornwall. Abandoned workings had for him strong fascination. Their desolation appealed to him like the sight of human misery, whose causes are varied and profound. They might have been worthless, but also they might have been misunderstood.
His future wife was the first, and perhaps the only person to detect this secret mood which governed the profoundly sensible, almost voiceless attitude of this man towards the world of material things. And at once her delight in him, lingering with half-open wings like those birds that cannot rise easily from a flat level, found a pinnacle from which to soar up into the skies.
They had become acquainted in Italy, where the future Mrs Gould was staying with an old and pale aunt who, years before, had married a middle-aged, impoverished Italian marquis. She now mourned that man, who had known how to give up his life to the independence and unity of his country, who had known how to be as enthusiastic in his generosity as the youngest of those who fell for that very cause of which old Giorgio Viola was a drifting relic, as a broken spar is suffered to float away disregarded after a naval victory. The Marchesa led a still, whispering existence, nun-like in her black robes and a white band over the forehead, in a corner of the first floor of an ancient and ruinous palace, whose big, empty halls downstairs sheltered under their painted ceilings the harvests, the fowls, and even the cattle, together with the whole family of the tenant farmer.
The two young people had met in Lucca. After that meeting Charles Gould visited no mines, though they went together in a carriage, once, to see some marble quarries, where the work resembled mining in so far that it was also the tearing of the raw material of treasure from the earth. Charles Gould did not open his heart to her in any set speeches. He simply went on acting and thinking in her sight. This is the true method of sincerity.
One of his frequent remarks was, `I think sometimes that poor father takes a wrong view of that San Tome business.' And they discussed that opinion long and earnestly, as if they could influence a mind across half the globe;but in reality they discussed it because the sentiment of love can enter into any subject and live ardently in remote phrases. For this natural reason these discussions were precious to Mrs Gould in her engaged state.
Charles feared that Mr Gould, senior, was wasting his strength and ****** himself ill by his efforts to get rid of the Concession. `I fancy that this is not the kind of handling it requires,' he mused aloud, as if to himself. And when she wondered frankly that a man of character should devote his energies to plotting and intrigues, Charles would remark, with a gentle concern that understood her wonder, `You must not forget that he was born there.'
She would set her quick mind to work upon that, and then make the inconsequent retort, which he accepted as perfectly sagacious, because, in fact, it was so--`Well, and you? You were born there, too.'
He knew his answer.
`That's different. I've been away ten years. Dad never had such a long spell; and it was more than thirty years ago.'
She was the first person to whom he opened his lips after receiving the news of his father's death.
`It has killed him!' he said.
He had walked straight out of town with the news, straight out before him in the noonday sun on the white road, and his feet had brought him face to face with her in the hall of the ruined palazzo , a room magnificent and naked, with here and there a long strip of damask, black with damp and age, hanging down on a bare panel of the wall. It was furnished with exactly one gilt armchair, with a broken back, and an octagon columnar stand bearing a heavy marble vase ornamented with sculptured masks and garlands of flowers, and cracked from top to bottom. Charles Gould was dusty with the white dust of the road lying on his boots, on his shoulders, on his cap with two peaks. Water dripped from under it all over his face, and he grasped a thick oaken cudgel in his bare right hand.
She went very pale under the roses of her big straw hat, gloved, swinging a clear sunshade, caught just as she was going out to meet him at the bottom of the hill, where three poplars stand near the wall of a vineyard.
`It has killed him!' he repeated. `He ought to have had many years yet.
We are a long-lived family.'
