"You may outrage me as you will; you may take all that Ipersonally possess, but do not you care to say one single thing in view of the situation that that will set up--against the faith that makes me become the doormat for your feet."But obviously, as I saw it, that could not be her meaning. Good people, be they ever so diverse in creed, do not threaten each other. So that I read Leonora's words to mean just no more than:
"It would be better if Florence said nothing at all against my co-religionists, because it is a point that I am touchy about."That was the hint that, accordingly, I conveyed to Florence when, shortly afterwards, she and Edward came down from the tower.
And I want you to understand that, from that moment until after Edward and the girl and Florence were all dead together, I had never the remotest glimpse, not the shadow of a suspicion, that there was anything wrong, as the saying is. For five minutes, then, I entertained the possibility that Leonora might be jealous; but there was never another flicker in that flame-like personality. How in the world should I get it?
For, all that time, I was just a male sick nurse. And what chance had I against those three hardened gamblers, who were all in league to conceal their hands from me? What earthly chance?
They were three to one--and they made me happy. Oh God, they made me so happy that I doubt if even paradise, that shall smooth out all temporal wrongs, shall ever give me the like. And what could they have done better, or what could they have done that could have been worse? I don't know. . . .
I suppose that, during all that time I was a deceived husband and that Leonora was pimping for Edward. That was the cross that she had to take up during her long Calvary of a life. . . .
You ask how it feels to be a deceived husband. Just Heavens, I do not know. It feels just nothing at all. It is not Hell, certainly it is not necessarily Heaven. So I suppose it is the intermediate stage.
What do they call it? Limbo. No, I feel nothing at all about that.
They are dead; they have gone before their Judge who, I hope, will open to them the springs of His compassion. It is not my business to think about it. It is simply my business to say, as Leonora's people say: "Requiem aeternam dona eis, Do mine, et lux perpetua luceat eis. In memoria aeterna erit. . . ." But what were they? The just? The unjust? God knows! I think that the pair of them were only poor wretches, creeping over this earth in the shadow of an eternal wrath. It is very terrible. . . .
It is almost too terrible, the picture of that judgement, as it appears to me sometimes, at nights. It is probably the suggestion of some picture that I have seen somewhere. But upon an immense plain, suspended in mid-air, I seem to see three figures, two of them clasped close in an intense embrace, and one intolerably solitary. lt is in black and white, my picture of that judgement, an etching, perhaps; only I cannot tell an etching from a photographic reproduction. And the immense plain is the hand of God, stretching out for miles and miles, with great spaces above it and below it. And they are in the sight of God, and it is Florence that is alone. . . . And, do you know, at the thought of that intense solitude I feel an overwhelming desire to rush forward and comfort her. You cannot, you see, have acted as nurse to a person for twelve years without wishing to go on nursing them, even though you hate them with the hatred of the adder, and even in the palm of God. But, in the nights, with that vision of judgement before me, I know that I hold myself back. For I hate Florence. Ihate Florence with such a hatred that I would not spare her an eternity of loneliness. She need not have done what she did. She was an American, a New Englander. She had not the hot passions of these Europeans. She cut out that poor imbecile of an Edward--and I pray God that he is really at peace, clasped close in the arms of that poor, poor girl! And, no doubt, Maisie Maidan will find her young husband again, and Leonora will burn, clear and serene, a northern light and one of the archangels of God. And me. . . . Well, perhaps, they will find me an elevator to run. . . .
But Florence. . . .
She should not have done it. She should not have done it. It was playing it too low down. She cut out poor dear Edward from sheer vanity; she meddled between him and Leonora from a sheer, imbecile spirit of district visiting. Do you understand that, whilst she was Edward's mistress, she was perpetually trying to reunite him to his wife? She would gabble on to Leonora about forgiveness--treating the subject from the bright, American point of view. And Leonora would treat her like the whore she was.
Once she said to Florence in the early morning:
"You come to me straight out of his bed to tell me that that is my proper place. I know it, thank you."But even that could not stop Florence. She went on saying that it was her ambition to leave this world a little brighter by the passage of her brief life, and how thankfully she would leave Edward, whom she thought she had brought to a right frame of mind, if Leonora would only give him a chance. He needed, she said, tenderness beyond anything.
And Leonora would answer--for she put up with this outrage for years--Leonora, as I understand, would answer something like:
"Yes, you would give him up. And you would go on writing to each other in secret, and committing *****ery in hired rooms. Iknow the pair of you, you know. No. I prefer the situation as it is."Half the time Florence would ignore Leonora's remarks. She would think they were not quite ladylike. The other half of the time she would try to persuade Leonora that her love for Edward was quite spiritual--on account of her heart. Once she said:
"If you can believe that of Maisie Maidan, as you say you do, why cannot you believe it of me?" Leonora was, I understand, doing her hair at that time in front of the mirror in her bedroom. And she looked round at Florence, to whom she did not usually vouchsafe a glance,--she looked round coolly and calmly, and said:
