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第19章 CHAPTER II. OTTILIA IN PARTICULAR.(2)

Otho Sigismund Freyherr von Schlippenschlopp, Knight Grand Cross of the Ducal Order of the Two-Necked Swan of Pumpernickel, of the Porc-et-Siflet of Kalbsbraten, Commander of the George and Blue-Boar of Dummerland, Excellency, and High Chancellor of the United Duchies, lived in the second floor of a house in the Schwapsgasse; where, with his private income and his revenues as Chancellor, amounting together to some 300L. per annum, he maintained such a state as very few other officers of the Grand-Ducal Crown could exhibit. The Baron is married to Marie Antoinette, a Countess of the house of Kartoffelstadt, branches of which have taken root all over Germany. He has no sons, and but one daughter, the Fraulein OTTILIA.

The Chancellor is a worthy old gentleman, too fat and wheezy to preside at the Privy Council, fond of his pipe, his ease, and his rubber. His lady is a very tall and pale Roman-nosed Countess, who looks as gentle as Mrs. Robert Roy, where, in the novel, she is for putting Baillie Nicol Jarvie into the lake, and who keeps the honest Chancellor in the greatest order. The Fraulein Ottilia had not arrived at Kalbsbraten when the little affair between me and Dorothea was going on; or rather had only just come in for the conclusion of it, being presented for the first time that year at the ball where I--where I met with my accident.

At the time when the Countess was young, it was not the fashion in her country to educate the young ladies so highly as since they have been educated; and provided they could waltz, sew, and make puddings, they were thought to be decently bred; being seldom called upon for algebra or Sanscrit in the discharge of the honest duties of their lives. But Fraulein Ottilia was of the modern school in this respect, and came back from the pension at Strasburg speaking all the languages, dabbling in all the sciences: an historian, a poet,--a blue of the ultramarinest sort, in a word.

What a difference there was, for instance, between poor, ****** Dorothea's love of novel reading and the profound encyclopaedic learning of Ottilia!

Before the latter arrived from Strasburg (where she had been under the care of her aunt the canoness, Countess Ottilia of Kartoffeldstadt, to whom I here beg to offer my humblest respects), Dorothea had passed for a bel esprit in the little court circle, and her little ****** stock of accomplishments had amused us all very well. She used to sing "Herz, mein Herz" and "T'en souviens-tu," in a decent manner (ONCE, before heaven, I thought her singing better than Grisi's), and then she had a little album in which she drew flowers, and used to embroider slippers wonderfully, and was very merry at a game of loto or forfeits, and had a hundred small agremens de societe! which rendered her an acceptable member of it.

But when Ottilia arrived, poor Dolly's reputation was crushed in a month. The former wrote poems both in French and German; she painted landscapes and portraits in real oil; and she twanged off a rattling piece of Listz or Kalkbrenner in such a brilliant way, that Dora scarcely dared to touch the instrument after her, or ventured, after Ottilia had trilled and gurgled through "Una voce," or "Di piacer" (Rossini was in fashion then), to lift up her little modest pipe in a ballad. What was the use of the poor thing going to sit in the park, where so many of the young officers used ever to gather round her? Whir! Ottilia went by galloping on a chestnut mare with a groom after her, and presently all the young fellows who could buy or hire horseflesh were prancing in her train.

When they met, Ottilia would bounce towards her soul's darling, and put her hands round her waist, and call her by a thousand affectionate names, and then talk of her as only ladies or authors can talk of one another. How tenderly she would hint at Dora's little imperfections of education!--how cleverly she would insinuate that the poor girl had no wit! and, thank God, no more she had. The fact is, that do what I will I see I'm in love with her still, and would be if she had fifty children; but my passion blinded me THEN, and every arrow that fiery Ottilia discharged I marked with savage joy. Dolly, thank heaven, didn't mind the wit much; she was too ****** for that. But still the recurrence of it would leave in her heart a vague, indefinite feeling of pain, and somehow she began to understand that her empire was passing away, and that her dear friend hated her like poison; and so she married Klingenspohr. I have written myself almost into a reconciliation with the silly fellow; for the truth is, he has been a good, honest husband to her, and she has children, and makes puddings, and is happy.

Ottilia was pale and delicate. She wore her glistening black hair in bands, and dressed in vapory white muslin. She sang her own words to her harp, and they commonly insinuated that she was alone in the world,--that she suffered some inexpressible and mysterious heart-pangs, the lot of all finer geniuses,--that though she lived and moved in the world she was not of it, that she was of a consumptive tendency and might look for a premature interment. She even had fixed on the spot where she should lie: the violets grew there, she said, the river went moaning by; the gray willow whispered sadly over her head, and her heart pined to be at rest.

"Mother," she would say, turning to her parent, "promise me--promise me to lay me in that spot when the parting hour has come!"

At which Madame de Schlippenschlopp would shriek, and grasp her in her arms; and at which, I confess, I would myself blubber like a child. She had six darling friends at school, and every courier from Kalbsbraten carried off whole reams of her letter-paper.

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