Further Warnings The next day, I accompanied my uncle and aunt to dinner parry at Mr Wilmot's.
He had two ladies staying with him, his niece Annabella, a fine dashing girl, or rather young woman, of some five and twenty, too great a flirt to be married, according to her own assertion, but greatly admired by the gentlemen, who universally pronounced her a splendid woman,--and her gentle cousin Milicent Hargrave, who had taken a violent fancy to me, mistaking me for something vastly better than I was. And I, in return, was very fond of her--I should entirely exclude poor Milicent in my general animadversions against the ladies of my acquaintance. But it was not on her account, or her cousin's, that I have mentioned the party: it was for the sake of another of Mr Wilmot's guests, to wit Mr Huntingdon. I have good reason to remember his preSence there, for this was the last time I saw him.
He did not sit near me at dinner; for it was his fate to hand in a capacious old dowager, and mine to be handed in by Mr Grimsby, a friend of his, but a man I very greatly disliked: there was a sinister cast in his countenance, and a mixture of lurking ferocity and fulsome insincerity in his demeanour, that I could not away with. What a tiresome custom that is, by the by--one among the many sources of factitious annoyance of this ultra-civilized life. If the gentlemen must lead the ladies into the dining-room, why cannot they take those they like best?
I am not sure, however, that Mr Huntingdon would have taken me, if he had been at liberty to make his own selection. It is quite possible he might have chosen Miss Wilmot; for she seemed bent upon engrossing his attention to herself, and he seemed nothing loath to pay the homage she demanded. I thought so, at least, when I saw how they talked and laughed, and glanced across the table, to the neglect and evident umbrage of their respective neighbours--and afterwards, as the gentlemen joined us in the drawing. room, when she, immediately upon his entrance, loudly called upon him to be the arbiter of a dispute between herself and another lady, and he answered the summons with alacrity, and decided the question without a moment's hesitation in her favour--though, to my thinking, she was obviously in the wrong--and then stood chatting familiarly with her and a group of other ladies; while I sat with Milicent Hargrave, at the opposite end of the room, looking over the latter's drawings and aiding her with my critical observations and advice, at her particular desire. But in spite of my efforts to remain composed, my attention wandered from the drawings to the merry group, and against my better judgment my wrath rose, and doubtless my countenance lowered; for Milicent, observing that I must be tired of her daubs and scratches, begged I would join the company now, and defer the examination of the remainder to another opportunity. But while I was assuring her that I had no wish to join them, and was not tired, Mr Huntingdon himself came up to the little round table at which we sat.
`Are these yours?' said he, carelessly taking up one of the drawings.
`No, they are Miss Hargrave's.'
`Oh! well, let's have a look at them.'
And, regardless of Miss Hargrave's protestations that they were not worth looking at, he drew a chair to my side, and receiving tile drawings, one by one from my hand, successively scanned them over, and threw them on the table, but said not a word about them, though he was talking all the time. I don't know what Milicent Hargrave thought of such conduct, but I found his conversation extremely interesting, though as I afterwards discovered, when I came to analyse it, it was chiefly confined to quizzing the different members of the company present; and albeit he made some clever remarks, and some excessively droll ones, I do not think the whole would appear anything very particular, if written here, without the adventitious aids of look, and tone, and gesture, and that ineffable but indefinite charm, which cast a halo over all he did and said, and which would have made it a delight to look in his face, and hear. the music of his voice, if he had been talking positive nonsense--and which, moreover, made me feel so bitter against my aunt when she put a stop to this enjoyment, by coming composedly forward, under pretence of wishing to see the drawings, that she cared and knew nothing about, and while ****** believe to examine them, addressing herself to Mr Huntingdon, with one of her coldest and most repellent aspects, and beginning a series of the most commonplace and formidably formal questions and observations, on purpose to wrest his attention from me--on purpose to vex me, as I thought: and having now looked through the portfolio, I left them to their tête-à-tête, and seated myself on a sofa, quite apart from the company--never thinking how strange such conduct would appear, but merely to indulge, at first, the vexation of the moment, and subsequently to enjoy my private thoughts.
