"I beg yours," she said. "It was only the incongruity that struck me. It seemed so odd to be quoting Shenandoah here in the Dardanelles, with these queer people below us and ancient Troy on one hand--it took me by surprise, that's all.
Please go on. What was it impressed you?"
"Well, the hero in the play," said Carlton, is an officer in the Northern army, and he is lying wounded in a house near the Shenandoah Valley. The girl he loves lives in this house, and is nursing him; but she doesn't love him, because she sympathizes with the South. At least she says she doesn't love him. Both armies are forming in the valley below to begin the battle, and he sees his own regiment hurrying past to join them, So he gets up and staggers out on the stage, which is set to show the yard in front of the farm-house, and he calls for his horse to follow his men. Then the girl runs out and begs him not to go; and he asks why, what does it matter to her whether he goes or not? And she says, `But I cannot let you go; you may be killed.' And he says again, `What is that to you?' And she says: `It is everything to me. I love you.' And he makes a grab at her with his wounded arm, and at that instant both armies open fire in the valley below, and the whole earth and sky seem to open and shut, and the house rocks. The girl rushes at him and crowds up against his breast, and cries: `What is that? Oh, what is that?' and he holds her tight to him and laughs, and says: `THAT?
That's only a battle--you love me.'"
Miss Morris looked steadfastly over the side of the boat at the waters rushing by beneath, smiling to herself. Then she turned her face towards Carlton, and nodded her head at him.
"I think," she said, dryly, "that you have a fair idea of what it means; a rough working-plan at least--enough to begin on."
"I said that I knew what it meant to others. I am complaining that I cannot feel it myself."
"That will come in time, no doubt," she said, encouragingly, with the air of a connoisseur; "and let me tell you," she added, "that it will be all the better for the woman that you have doubted yourself so long."
"You think so?" said Carlton, eagerly.
Miss Morris laughed at his earnestness, and left him to go below to ask her aunt to join them, but Mrs. Downs preferred to read in the saloon, and Miss Morris returned alone. She had taken off her Eton jacket and pulled on a heavy blue football sweater, and over this a reefer. The jersey clung to her and showed the lines of her figure, and emphasized the ******* and grace with which she made every movement. She looked, as she walked at his side with her hands in the pockets of her coat and with a flat sailor hat on her head, like a tall, handsome boy; but when they stopped and stood where the light fell full on her hair and the exquisite coloring of her skin, Carlton thought her face had never seemed so delicate or fair as it did then, rising from the collar of the rough jersey, and contrasted with the hat and coat of a man's attire. They paced the deck for an hour later, until every one else had left it, and at midnight were still loath to give up the beautiful night and the charm of their strange surroundings. There were long silent places in their talk, during which Carlton tramped beside her with his head half turned, looking at her and noting with an artist's eye the free light step, the erect carriage, and the unconscious beauty of her face. The captain of the steamer joined them after midnight, and falling into step, pointed out to Miss Morris where great cities had stood, where others lay buried, and where beyond the hills were the almost inaccessible monasteries of the Greek Church. The moonlight turned the banks into shadowy substances, in which the ghosts of former days seemed to make a part; and spurred by the young girl's interest, the Italian, to entertain her, called up all the legends of mythology and the stories of Roman explorers and Turkish conquerors.
"I turn in now," he said, after Miss Morris had left them. "A most charming young lady. Is it not so?" he added, waving his cigarette in a gesture which expressed the ineffectiveness of the adjective.
"Yes, very," said Carlton. "Good-night, sir."
He turned, and leaned with both elbows on the rail, and looked out at the misty banks, puffing at his cigar. Then he dropped it hissing into the water, and, stifling a yawn, looked up and down the length of the deserted deck. It seemed particularly bare and empty.
What a pity she's engaged!" Carlton said. "She loses so much by it."
They steamed slowly into the harbor of the Piraeus at an early hour the next morning, with a flotilla of small boats filled with shrieking porters and hotel-runners at the sides. These men tossed their painters to the crew, and crawled up them like a boarding crew of pirates, running wildly about the deck, and laying violent hands on any piece of baggage they saw unclaimed. The passengers' trunks had been thrown out in a heap on the deck, and Nolan and Carlton were clambering over them, looking for their own effects, while Miss Morris stood below, as far out of the confusion as she could place herself, and pointed out the different pieces that belonged to her. As she stood there one of the hotel-runners, a burly, greasy Levantine in pursuit of a possible victim, shouldered her intentionally and roughly out of the way. He shoved her so sharply that she lost her balance and fell back against the rail. Carlton saw what had happened, and made a flying leap from the top of the pile of trunks, landing beside her, and in time to seize the escaping offender by the collar. He jerked him back off his feet.
"How dare you--" he began.
